3 | - | ||
The Libation Bearers The Libation Bearers
| 4 | - | |
5 | 5 | ||
3 | - | ||
4.02 | - | ||
3.5 | - | ||
0 | - | ||
4.5 | - | ||
3.8 | - | ||
4 | - | ||
4 | - | ||
3.5 | - | ||
3.82 | 5 | ||
Romeo and Juliet and West Side Story Romeo and Juliet and West Side Story
| 3 | - | |
Henry IV Henry IV: Part I | 0 | - | |
3.66 | 5 | ||
2.55 | 4 | ||
3.91 | - | ||
3.78 | 5 | ||
3.48 | 5 | ||
0 | - | ||
3 | 3 | ||
Shakespeare in an Hour Shakespeare in an Hour
| 4 | 4 | |
4.44 | 5 | ||
5 | 5 | ||
The Unauthorized Anne Rice Companion The Unauthorized Anne Rice Companion
| 0 | - | |
0 | - | ||
5 | - | ||
4 | - | ||
House and Philosophy House and Philosophy: Everybody Lies | 0 | - | |
3.17 | - | ||
House M.D. House M.D.: The Official Guide to the Hit Medical Drama
| 3 | - | |
0 | - | ||
0 | - | ||
4.5 | 5 | ||
0 | - | ||
3 | - | ||
4.11 | - | ||
3.19 | - | ||
3.23 | - | ||
Ex Libris Ex Libris: Confessions of a Common Reader
| 5 | 5 | |
Slouching Towards Kalamazoo Slouching Towards Kalamazoo
| 0 | - | |
After Diana After Diana: William, Harry, Charles, and the Royal House of Windsor
| 0 | - | |
3.62 | 5 | ||
4 | - | ||
The Stephen King Companion The Stephen King Companion: Four Decades of Fear from the Master of Horror
| 4.5 | 4 | |
3.68 | - | ||
3.55 | - | ||
0 | - | ||
3.93 | 4 | ||
3 | - | ||
Why We Write Why We Write: 20 Acclaimed Authors on How and Why They Do What They Do | 0 | - | |
Writes of Passage Writes of Passage
| 0 | - | |
0 | - | ||
3.98 | - | ||
3.5 | - | ||
In the Winter Dark In the Winter Dark
| 1 | - | |
4 | - | ||
3.69 | 4 | ||
The Red Fox The Red Fox
| 0 | - | |
The Peculiar Memories of Thomas Penman The Peculiar Memories of Thomas Penman
| 4 | - | |
3.85 | - | ||
4 | - | ||
I Love Lucy I Love Lucy: Behind the Scenes
| 0 | - | |
0 | - | ||
4 | - | ||
3.63 | - | ||
0 | - | ||
3 | - | ||
4 | 5 | ||
4 | - | ||
3.88 | - | ||
Fiction Unboxed Fiction Unboxed
| 4.33 | 4 | |
3.17 | 2 | ||
2 | - | ||
0 | - | ||
Architectures of Possibility Architectures of Possibility: After Innovative Writing
| 5 | - | |
Rebel Yell Rebel Yell: A Short Guide to Fiction Writing
| 4 | - | |
3.97 | - | ||
4 | - | ||
0 | - | ||
3.95 | 3 | ||
0 | - | ||
4.25 | 4 | ||
3.73 | 4 | ||
I Watch, Therefore I Am I Watch, Therefore I Am: From Socrates to Sartre, the Great Mysteries of Life as Explained Through Howdy Doody, Marcia Brady, Homer Simpson, Don Draper, and other TV Icons
| 0 | - | |
4.22 | 4 | ||
3.65 | - | ||
3.88 | - | ||
3 | - | ||
3.67 | - | ||
3.5 | - | ||
4.24 | 3 | ||
2 | - | ||
4.15 | 3 | ||
3.5 | 3 | ||
0 | - | ||
4.81 | - | ||
3.57 | - | ||
3.63 | - |