| 2022 |
| 2019 |
| 2022 |
| 2022 |
Perfect days - Raphael Montes
- Alison Entrekin
| 2016 |
| 2006 |
| |
| 2022 |
Tomorrow, and Tomorrow, and Tomorrow | 2022 |
| 2022 |
Cleopatra and Frankenstein | 2022 |
This Is How You Lose the Time War - Amal El-Mohtar
- Max Gladstone
| 2019 |
| 2019 |
Fish Swimming in Dappled Sunlight | 2022 |
The Priory of the Orange Tree | 2018 |
| 2019 |
| 1976 |
| 2019 |
| 2021 |
| 2019 |
| 2021 |
| |
| 2020 |
Tender Is the Flesh - Agustina Bazterrica
- Sarah Moses (Translator)
| 2017 |
A Castle in the Clouds - Kerstin Gier
- Romy Fursland (Translator)
| 2017 |
| 2017 |
| 2020 |
| 2021 |
Under the Whispering Door | 2021 |
| 2022 |
| 1944 |
| 1996 |
| 2020 |
| 2021 |
Cultish: The Language of Fanaticism | 2021 |
The Dictionary of Lost Words | 2020 |
| 2019 |
| 2021 |
| 2021 |
| 2021 |
| 2018 |
The Brain that Changes Itself: Stories of Personal Triumph from the Frontiers of Brain Science | 2007 |
The Decagon House Murders | 2021 |
| 2019 |
| 2020 |
| 1986 |
| 2021 |
| 2021 |
| 2021 |
| 2012 |
| 2017 |
The Houseguest and Other Stories | 2018 |
No One Belongs Here More Than You | 2007 |
Tonight I'm Someone Else: Essays | 2018 |
| 2020 |
| 1986 |
| 2021 |
Night Sky with Exit Wounds | 2016 |
| 2021 |
We Should All Be Feminists | 2012 |
| 2021 |
Someone Who Will Love You in All Your Damaged Glory | 2019 |
The Anthropocene Reviewed | 2021 |
| 2021 |
The Secret Lives of Church Ladies | 2020 |
| 1997 |
| 1987 |
| 2020 |
Under the Light of the Italian Moon | 2021 |
| 2020 |
| 1974 |
| 1978 |
| 2019 |
| 2018 |
| 2020 |
| 2020 |
| 2020 |
| 2021 |
| 2005 |
Do Not Say We Have Nothing | 2016 |
The House in the Cerulean Sea | 2020 |
Slouching Towards Bethlehem | 1968 |
| 2021 |
| 1956 |
| 2021 |
| 2016 |
| 2021 |
| 2020 |
| 1974 |
The Final Revival of Opal & Nev | 2021 |
| 2021 |
| 2011 |
| 1992 |
| 2009 |
| 11 |
| 2016 |
| 2014 |
| 2019 |
My Year of Rest and Relaxation | 2018 |
| 1978 |