 Why Marx Was Right
| 4 |
 How to Read Literature
| 3.5 |
 Literary Theory : An Introduction
| 3.8 |
 Marxism and literary criticism
| 0 |
 Recitatif
| 4.02 |
 The Anxiety of Influence: A Theory of Poetry
| 4 |
 All About Love: New Visions
| 3.9 |
 Consider the Lobster and Other Essays
| 4.19 |
 Split Tooth
| 3.59 |
 We We: Understanding the Psychology of Romantic Love
| 4.25 |
 The Girl with All the Gifts
| 4 |
 Black Water
| 4.25 |
 The Circle
| 3.26 |
 Her Pretty Face
| 3.78 |
 The Silent Patient
| 3.75 |
 Lock Every Door
| 3.73 |
 The Stranger Inside
| 4 |
 Double Indemnity
| 4.27 |
 The Couple Next Door
| 3.3 |
 The Mother-in-Law
| 3.95 |
 Lying Next to Me
| 3.9 |
 I Know Everything I Know Everything
| 4 |
 Big Little Lies
| 4.26 |
 Gentlemen and Players
| 3.8 |
 The Whisper Man
| 3.81 |
 The Never List
| 3.33 |
 Here To Stay
| 3.43 |
 The Lost Man
| 4.4 |
 Midnight in the Garden of Good and Evil
| 3.8 |
 Never Let Me Go
| 3.85 |
 Good as Gone
| 3.58 |
 Then She Was Gone
| 3.74 |
 The Secret Keeper
| 4.25 |
 Fingersmith
| 4.06 |
 The Perfect Mother
| 3.35 |
 Gone for Good
| 4.18 |
 The Fifth Season
| 4.33 |
 The Family Upstairs
| 3.8 |
 Lying in wait a novel
| 3.62 |
 The Nanny
| 3.5 |
 The Perfect Child
| 3.93 |
 I Let You Go
| 3.58 |
 The Broken Girls
| 4 |
 I Am Watching You
| 3.84 |
 The Bone Collector
| 4.02 |
 The House of the Spirits
| 4.2 |
 The Girl on the Train
| 3.45 |
 The Next Time You See Me
| 4 |
 Shutter Island
| 3.91 |
 Before I Go to Sleep
| 3.49 |
 I'm Thinking of Ending Things
| 3.68 |
 The Woman in the Window
| 3.58 |
 The Grownup
| 3.51 |
 Sharp Objects
| 3.8 |
 Dark Places
| 3.76 |
 Gone Girl
| 3.94 |
 Kafka on the shore
| 3.92 |
 The Vegetarian
| 3.51 |
 The Seven Sisters The Seven Sisters
| 0 |
 Sharp: The Women Who Made an Art of Having an Opinion
| 4 |
 The Year of Magical Thinking
| 4.07 |
 Computer Systems Computer Systems: A Programmer's Perspective
| 4.5 |
 My Year of Rest and Relaxation
| 3.78 |
 Agency
| 3.64 |
 Ideias para adiar o fim do mundo
| 4 |
 Interpretação de Kafka Interpretação de Kafka
| 0 |
 Kafka's Milena
| 0 |
 Rabbit, Run
| 3.73 |
 How to Disappear
| 2 |
 How to Be Alone
| 3.5 |
 Coraline
| 4.1 |
 The Ocean at the End of the Lane
| 4.06 |
 On Ugliness
| 4 |
 Good Omens: The Nice and Accurate Prophecies of Agnes Nutter, Witch
| 4.22 |
 How to Talk to Girls at Parties
| 3.75 |
 Stardust
| 3.98 |
 Neverwhere | 4.16 |
 The Nonexistent Knight
| 3.75 |
 The Heart Is a Lonely Hunter
| 3.77 |
 The Sexual Politics of Meat
| 4.5 |
 Surfacing
| 3.44 |
 To the Lighthouse
| 3.71 |
 Black dogs
| 3 |
 The Comfort of Strangers
| 2.94 |
 As I Lay Dying
| 3.56 |
 Atonement
| 3.85 |
 Serendipities : language & lunacy
| 3 |
History of Beauty - On Ugliness History of Beauty - On Ugliness
| 0 |
 Experiences in translation
| 4 |
Confessions of a Young Novelist Confessions of a Young Novelist
| 0 |
 History of Beauty
| 3.67 |
 The Search for the Perfect Language
| 4 |
 Last Exit to Brooklyn
| 3.46 |
Anti-Oedipus Anti-Oedipus
| 4.44 |
 A Thousand Plateaus
| 4.13 |
Put Your Best Foot Forward Put Your Best Foot Forward: Make a Great Impression by Taking Control of How Others See You
| 0 |
 Frankenstein, Or, the Modern Prometheus: With Connections
| 3.83 |
 As Veias Abertas da América Latina
| 5 |
 Chinese Lessons
| 0 |
 Crime and Punishment
| 4.28 |