Ratings7
Average rating4.3
A galvanizing series of essays that blur the line between memoir and think piece. The author is palpably a poet, in that I struggled to adapt to his gorgeously complex phrasing, but found it all the more affecting and informative for not coddling the reader.
It is heartening to see Belcourt push towards a future of creative joy, while consistently elucidating all the ways in which the Canada of the past and present hampers the possibility of such a life experience for Indigenous people.
Discussions of life as a queer man of colour likewise indicates the striving for love and the social and structural impediments to finding it.
It is enjoyable to see a writer frequently touch on a sentence or two written by others, you get this sense of collaborative inspiration, of sharing ideas, when otherwise I worry that writing is isolating, in the search for a ‘pure' inspiration not to be intermingled with words that might be claimed by another.
I think it's because I usually see it in research/journalistic non-fiction, seeing citation/quotes in a memoir provides hope of a full life, reading and discussion between fellow writers.
As with other non-fiction personal works written by Black, Indigenous and people of colour I have encountered as a white reader, I am reminded that reading alone will not suffice. Action must be taken, so that the liveable future so many minorities have long been fighting for and creating art to encourage into existence may become a reality, via the restructure of systems, (as well as hearts and minds), long incapable and seemingly uncaring, of meeting all citizens' needs.