House of Chains

The Whirlwind's rage had never before been so fierce, leading him suspect that the Malazan army was drawing close, that the final clash of wills was fast approaching. This was, in truth, a convergence, and the currents had trapped other powers, pulling them along with relentless force.

And behind it all, the whispers of a song...

House of Chains is the fourth installment in the Malazan Book of the Fallen series. Like its predecessors, the book is divided into four sub-books. In the first book, “Faces in the Rock,” Erikson introduces a new set of characters and writes the book from a single point of view. While Erikson frequently introduces new characters, dedicating an entire sub-book (250 pages) to the same point of view is a departure from his usual style. In the subsequent part of the book, Erikson returns to his “usual” style.

It's not entirely clear to me what the purpose of the single point of view opening is. While it can allow for quicker character development, this could apply to any character. Erikson often employs specific literary devices to support the story and plot intentionally, but in this case, it seems like he wanted to try something different—perhaps flexing his literary muscles and showcasing his capabilities. However, it didn't fully convince me.

The plot of House of Chains is characterized by the concept of “convergence.” Multiple storylines converge around Raraku as the central point. Considering the other books in the series, I expected a grand climax. Without the context of the previous books, it would have been a satisfactory ending. However, with that context, it was somewhat disappointing. While there are still significant and emotional events, they have less impact compared to the first three parts.

It's a good book, but not exceptional. I would give it 4 stars.