Husband Material

I feel compelled to write a review for this one because my response is complicated.

The Four Weddings and a Funeral structure was cute, but distracted from the relationship development, which is what I wanted to read about. It's a structure that works well for an initial romance, rather than the development of a complex relationship between two people who both have big huge issues.

I don't know whether it says more about me, Alexis Hall, or what, that I found the most engaging and satisfying section of the book to be the funeral, and I think that might just be because it was the only section of the book where Luc actually focused on Oliver. So much of the rest of the book was very angsty, which, unless they're working through it, as Luc did in the first book, is not something I enjoy in my MCs in first person narratives.

The humour, the banter, the irreverence were all there. The secondary characters were fabulous - I adore the quirky wisdom of Luc's mom, the ott and more mature best-friending, the co-workers...

The thing is that through each wedding, Luc's pov grated even more, as did his absolute certainty that the vast majority of the conflict was "Oliver problems, not me problems," which felt deliberately delusional. It felt like all the character development took place in the last bit of the book, and it took place far too quickly for me to be convinced, especially since there seemed to be so little in the two years between the last book and this one.

What saved the book for me was the actual ending - it brought together what I felt were the themes that kind of popped up throughout the book but I couldn't really see through all the angst. And they are themes I absolutely love: Self-differentiation, self-exploration, authenticity...

And SPOILER now:

I just really really wish there had been more exploration of alternatives to weddings/marriage than the brief conversations with Pryia and her partners, the mother, and the very last couple of pages. I also wish there was more room for Lucien to face that the "Oliver problems, not me problems" were actually his own damned problems all along. If it had, this book could have been a brilliant satire about heteronormativity and convention. The entire discussion over the rainbow arch could have become a truly enlightening exploration on the conventions of the performance of queerness.

I do however, love that they walked out on their own wedding. Like, really really love it.

I was overjoyed to read a book that ends with a clear hea that doesn't require a formal commitment ceremony - this is something that is very counter-genre, and unlike many readers who freaked out about it, I am so very much here for the subversion.

So yeah... complicated response to this one.