Neonomicon

I anticipated that Moore's takes on Lovecraft would examine the seriously messed up fiction, but I'm intrigued by how Moore explores the fucked up writer himself. This discourse is the comic's winning element, and I hope for more from Moore's Providence.There's much to contemplate re: the role of extreme sexual violence—as a reaction to Lovecraft's repression, it's perhaps a little over-corrective? To me, the character response in the final issue is at once a liberating conclusion and a troublesome head-scratcher