Ratings143
Average rating3.9
This novel is masterful. Roy's prose is poetry, or near as. With coinages, imagery, and heartbreaking emotion, she transports you to rural Kerala and places you among the cast of the novel across the generations they span. I've just put the book down, and am attempting to extinguish the lingering feeling of oppressive, impending doom that has sat with me throughout the book. More incredibly to me, I enjoyed it, as someone who tends to avoid doom and its impending arrival at as many opportunities as possible. Roy boldly tells you what is going to happen in the very first pages, and unfolds the path to get there beautifully, keeping you entranced not by suspense but with the weight of inevitability. I didn't think it would work until I read it.
Inevitability is not just the feeling of the book, it's also a theme. There is history, and there is History. We might take the former as a set of facts, and the latter as facts personified, empowered to affect the ways in which we live. The titular God of Small Things is a the personal tragedies that fall victim to History, when the things we want and need are unreachable because of History's designs and strictures. How free are we, when we live amidst ideology, tradition, family, society? Are we free to live, to love? I won't say this novel gives me hope that we are. I don't even think it makes it clear that we will be; this is a tragedy and History can be ruthless with those that rebel against it. What it does do, is remind me that we should be, because the cost of living constrained thus is far too high a price to pay.