The Infinite Machine The Infinite Machine: How an Army of Crypto-hackers Is Building the Next Internet with Ethereum
| 3.5 |
0 | |
Truth and Beauty Truth and Beauty: Aesthetics and Motivations in Science
| 0 |
0 | |
4.25 | |
3 | |
Amok Journal Sensurround Edition Amok Journal Sensurround Edition
| 0 |
Narration in the Fiction Film Narration in the Fiction Film
| 5 |
0 | |
Philosophical Occasions Philosophical Occasions: 1912-1951
| 0 |
4.33 | |
4.25 | |
0 | |
4.15 | |
3 | |
4.13 | |
3 | |
Pocket Philosophy for End Times Pocket Philosophy for End Times : A Lexicon of Dystopia
| 0 |
4 | |
3.88 | |
4 | |
0 | |
0 | |
0 | |
4.36 | |
4.5 | |
3.83 | |
3.56 | |
0 | |
2.5 | |
4.23 | |
The Fascist Nature of Neoliberalism The Fascist Nature of Neoliberalism
| 0 |
Identity Identity: The Demand for Dignity and the Politics of Resentment
| 0 |
4.25 | |
4.67 | |
0 | |
0 | |
4 | |
3.73 | |
4 | |
0 | |
0 | |
3.5 | |
3.9 | |
4.25 | |
Cybersemiotics Cybersemiotics: Why Information Is Not Enough!
| 0 |
0 | |
4 | |
3.35 | |
The Myth of Self-esteem The Myth of Self-esteem: How Rational Emotive Behavior Therapy Can Change Your Life Forever
| 0 |
4.5 | |
4.26 | |
0 | |
4 | |
Theology for Skeptics Theology for Skeptics: Reflections on God
| 0 |
4 | |
2 | |
0 | |
0 | |
4.24 | |
4 | |
0 | |
0 | |
Magnetic Mountain Magnetic Mountain: Stalinism as a Civilization
| 0 |
0 | |
4 | |
0 | |
3.5 | |
3.9 | |
4 | |
3.8 | |
3 | |
5 | |
3.57 | |
3.5 | |
0 | |
5 | |
0 | |
The Cinema Book The Cinema Book | 5 |
Comedy/Cinema/Theory Comedy/Cinema/Theory | 0 |
Hugo Munsterberg on Film Hugo Munsterberg on Film: The Photoplay: A Psychological Study and Other Writings
| 0 |
0 | |
Engaging Characters Engaging Characters: Fiction, Emotion, and the Cinema
| 0 |
Undressing Cinema Undressing Cinema: Clothing and identity in the movies
| 0 |
Land of a Thousand Balconies Land of a Thousand Balconies: Discoveries and Confessions of A B-Movie Archaeologist
| 0 |
0 | |
0 | |
Titanic Titanic: Anatomy of a Blockbuster | 0 |
3 | |
The Bfi Companion to Horror The Bfi Companion to Horror
| 0 |
Grammar of the Film Language Grammar of the Film Language
| 0 |
0 | |
0 | |
0 | |
0 | |
0 | |
Film and Authorship Film and Authorship | 0 |
Theories of Authorship Theories of Authorship
| 0 |
Art and the Moving Image Art and the Moving Image: A Critical Reader | 0 |
0 |