The Infinite Machine The Infinite Machine: How an Army of Crypto-hackers Is Building the Next Internet with Ethereum
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Truth and Beauty Truth and Beauty: Aesthetics and Motivations in Science
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Amok Journal Sensurround Edition Amok Journal Sensurround Edition
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Narration in the Fiction Film Narration in the Fiction Film
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Philosophical Occasions Philosophical Occasions: 1912-1951
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8 reads | 4.33 | |
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52 reads | 4.15 | |
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32 reads | 4.13 | |
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Pocket Philosophy for End Times Pocket Philosophy for End Times : A Lexicon of Dystopia
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15 reads | 3.88 | |
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29 reads | 4.36 | |
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243 reads | 4.23 | |
The Fascist Nature of Neoliberalism The Fascist Nature of Neoliberalism
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Identity Identity: The Demand for Dignity and the Politics of Resentment
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21 reads | 4.25 | |
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24 reads | 3.73 | |
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4 reads | 3.5 | |
19 reads | 3.9 | |
4 reads | 4.25 | |
Cybersemiotics Cybersemiotics: Why Information Is Not Enough!
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6 reads | 4 | |
39 reads | 3.35 | |
The Myth of Self-esteem The Myth of Self-esteem: How Rational Emotive Behavior Therapy Can Change Your Life Forever
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3 reads | 4.5 | |
137 reads | 4.26 | |
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Theology for Skeptics Theology for Skeptics: Reflections on God
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21 reads | 4.24 | |
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Magnetic Mountain Magnetic Mountain: Stalinism as a Civilization
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13 reads | 3.9 | |
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266 reads | 3.8 | |
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8 reads | 3.57 | |
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The Cinema Book The Cinema Book | 1 read | 5 |
Comedy/Cinema/Theory Comedy/Cinema/Theory | 0 reads | 0 |
Hugo Munsterberg on Film Hugo Munsterberg on Film: The Photoplay: A Psychological Study and Other Writings
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Engaging Characters Engaging Characters: Fiction, Emotion, and the Cinema
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Undressing Cinema Undressing Cinema: Clothing and identity in the movies
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Land of a Thousand Balconies Land of a Thousand Balconies: Discoveries and Confessions of A B-Movie Archaeologist
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Titanic Titanic: Anatomy of a Blockbuster | 0 reads | 0 |
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The Bfi Companion to Horror The Bfi Companion to Horror
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Grammar of the Film Language Grammar of the Film Language
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Film and Authorship Film and Authorship | 0 reads | 0 |
Theories of Authorship Theories of Authorship
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Art and the Moving Image Art and the Moving Image: A Critical Reader | 0 reads | 0 |
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