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| 0 |
 Inferno
| 4 |
 Louise Lawler And Others Louise Lawler And Others
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 Cosima von Bonin Cosima von Bonin: Hippies Use Side Door: The Year 2014 has Lost the Plot | 0 |
 Rosemarie Trockel Rosemarie Trockel: Post-Menopause
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 The Origin of German Tragic Drama
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 Une anthologie de la revue Texte zur Kunst de 1990 à 1998
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 Art and Subjecthood: The Return of the Human Figure in Semiocapitalism
| 0 |
 Lutz Bacher - The Gift Lutz Bacher - The Gift
| 0 |
 The Culture Industry
| 4 |
 Tell It to My Heart: Collected by Julie Ault, Vol 1 | 0 |
Haim Steinbach. every single day Haim Steinbach. every single day
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Martin Kippenberger Martin Kippenberger: The Happy End Of Franz Kafka'S 'Amerika' | 0 |
 Spacing Philosophy: Lyotard and the Idea of the Exhibition
| 0 |
Jutta Koether Jutta Koether
| 0 |
 "The Outside Can't Go Outside"
| 0 |
 (Over)production and Value / (Über)Produktion und Wert
| 0 |
 Memories of the Future
| 0 |
 Artless: Stories 2019-2023
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 The Love of Painting The Love of Painting: Genealogy of a Success Medium
| 0 |
 Communions
| 0 |
 Heroes Heroes
| 0 |
 Crazy for Vincent
| 4 |
 Cassavetes on Cassavetes
| 0 |
 Transcendental style in film : Ozu, Bresson, Dreyer
| 0 |
 Darkness Spoken
| 4 |
 In the Freud archives
| 3 |
 Just Another Asshole | 0 |
 Righteous Dopefiend
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 Glamorama
| 2.67 |
 Fuck Seth Price
| 0 |
 f.
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 The Uncanny
| 4 |
Endgame Endgame: Reference and Simulation in Recent Painting and Sculpture
| 0 |
 Solenoid
| 4 |
 Some Cities
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 Looking Awry
| 4 |
 In/Different Spaces In/Different Spaces: Place and Memory in Visual Culture
| 0 |
 Suttree
| 4.18 |
 The Accident of Art
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 What Makes a Great Exhibition? | 0 |
 The Sight of Death
| 0 |
 Getting Lost
| 3.33 |
 Eva Hesse Eva Hesse
| 0 |
Neo-Avantgarde and Culture Industry Neo-Avantgarde and Culture Industry: Essays on European and American Art from 1955 to 1975
| 0 |
Thomas Hirschhorn Thomas Hirschhorn
| 0 |
 Gerhard Richter: Painting after the Subject of History
| 0 |
 Moby-Dick or, the Whale
| 3.66 |
The Everyday The Everyday | 0 |
 Writings 1973-1983 on Works 1969-1979
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The Real Gaze The Real Gaze: Film Theory After Lacan
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 Sleeveless
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 Cinema I
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Vitamin P Vitamin P
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 Houses to Die In and Other Essays on Art
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Where Art Belongs Where Art Belongs
| 0 |
The Disintegration of a Critic The Disintegration of a Critic
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 Crapalachia
| 4.33 |
 The Sarah Book
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 The tunnel
| 5 |
Affinities Affinities
| 0 |
 Against the Grain
| 3 |
 Amygdalatropolis
| 4.67 |
 Negative Space
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 Acting Out
| 0 |
 A Thousand Years of Nonlinear History
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 Against Art
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 10:04
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 Walking Through Clear Water in a Pool Painted Black: Collected Stories
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Compulsive Beauty Compulsive Beauty
| 0 |
 Robert Rauschenberg Robert Rauschenberg | 0 |
Object to Be Destroyed Object to Be Destroyed: The Work of Gordon Matta-Clark
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 Colin De Land, American Fine Arts
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Dealing with Some Texts, Images, and Thoughts Related to American Fine Arts, Co. Dealing with Some Texts, Images, and Thoughts Related to American Fine Arts, Co. | 0 |
 The Disappearance of Rituals: A Topology of the Present
| 5 |
Secret Publicity Secret Publicity: Essays On Contemporary Art
| 0 |
 The Invisible Dragon: Essays on Beauty
| 4 |
 Air guitar | 4 |
 Art and Contemporary Critical Practice: Reinventing Institutional Critique
| 0 |
 Architecture from the Outside: Essays on Virtual and Real Space
| 0 |
 Self-Portrait in a Convex Mirror
| 5 |
 Not Me
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 Shame
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 Camera Lucida
| 4.41 |
 Reflections
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Diana & Nikon Diana & Nikon: Essays on Photography
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 Paradais
| 3.54 |
 The Sot-Weed Factor
| 4.2 |
 Against the Day
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Window Shopping Window Shopping: Cinema and the Postmodern
| 0 |
The World Viewed The World Viewed: Reflections on the Ontology of Film
| 0 |
 Kant after Duchamp
| 0 |
 Art and Culture
| 0 |
 Art and Objecthood: Essays and Reviews
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 Concerning the Spiritual in Art
| 4 |
 Atlas of Emotion: Journeys in Art, Architecture, and Film
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 Difference and Repetition
| 0 |
 Four Novels
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The Contingent Object of Contemporary Art The Contingent Object of Contemporary Art
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 My Mother Laughs
| 0 |