Hark

Children of Húrin is a tale compiled and told to us from some of Tolkien's extended writings. In this book Tolkien strives to emulate some of the myths that inspired much of his work. Here we predominantly follow Túrin, a figure from the First Age, who due to things outside of his control is cursed by the luciferian Morgthoth to suffer unto his death. Those familiar with Sigurd or Kulervo will quickly see the resemblance in the overall choices and trajectory this story takes. Túrin spends most of his time trying to avoid his doom, even taking the name Turambar or "Master of Doom" in a futile attempt to reclaim or take ownership of his fate. The more he tries to resist or avoid his fate the worse things get for him and those around him. Although if Túrin had believed his whole life that he was doomed from the start then his actions make a bit more sense. Often when we're told something as children whether good or bad it often follows us into adulthood, in this case turning this curse into a self fulfilling prophecy. This also goes to show how much our outlook can determine our fate. He starts off as an Aragorn like figure, with noble bearing and wisdom, taking solace within an elven kingdom and yet thru his actions and his untempered passions his life takes a very drastic turn. Although this tale mostly serves to fulfill Tolkien's love for European myth I think it slots in thematically with the rest of his Middle-Earth writings. Darkness prevails only when goodness is absent and it is up to each individual to kindle that within themselves if we wish to have a brighter tomorrow.

Overall i would recommend this to fans of mythology or those who want to explore some of Tolkien's extended writings on Middle-Earth but found the Silmarillion unappealing. The plot is fragmented giving it a loose or flimsy feeling which left me wishing Tolkien could've finished this great tale himself.

Cabal is yet another novel, later turned film, by the underrated Clive Barker. This book has a lot of different themes and aspects that at times compete with each other within the limited page count. This is by no means among Barkers best work but I do think it's one of his most interesting. Its Barkers take on a chosen one narrative with Boone almost playing this Moses type character and going on a hero's journey of sorts. Its still Barker so nothing is conventional. A popular reading is that the book is an allegory for queerness and it's no stretch to imagine especially considering the time of the novels release. The monstrous, orphic Nightbreed are bastioned beneath a cemetery, away from mortal men who fear and persecute them. This is exemplified by the police brutality against the breed but also by Decker. Decker is a monster in his own right yet instead of joining the Nightbreed he works to exterminate them. Maintaining the queer allegory you could say Decker represents the anger and self hatred often associated with repressed homosexuality. Anger which he can only express when he dons his mask, "Buttonface". This is in opposition to Boone who has also repressed his true self. He's turned into a Nightbreed via oral transmission when he's assaulted by Peloquin. Its only then through his relationship with Lori that he's able to finally accept himself and consumate their love does he become proactive in the story. The books is at its best when Boone, Lori and Decker are playing off each other. Unfortunately this is few and far between. The book is short and its not always efficient with its page count, leading to some parts dragging and some moving quite fast. Barker's prose here is also nowhere near what he displayed in Hellbound Heart. All that said, this is undeniably one of my favorite novels and films. It resonated with me before i even knew exactly why. I would only recommend this to the die hard Barker fans or those who would resonate with its themes.

Moorcock's Elric of Melniboné. Probably one of the most genre defining authors but certainly the least well known. Its a fact that Tolkien's shadow looms large over Fantasy literature even today with so many authors and stories standing upon the foundations he's set. That's partially why I enjoy older fantasy novels. Tolkien's legacy hadn't been fully cemented at the time and so we have authors that aren't afraid to try new and weird ideas. Thus Elric is born. The anti Conan, he's a moody introspective sorcerer prince of a morally neutral people. Although I enjoyed my time with this book, I wouldnt recommend this or any other of Moorcock's older writings to newbies of the genre. The novel is quite short and MM plays fast and loose with his ideas, each more strange and unusual than the last but never fully explored. It's almost as if he's bursting with ideas and trying to get them all out so he can move on with the next one. This novel feels like his ambitions outweigh the page count and i would say that about most of his novels. By today's standard I would give this 3 stars but alas this genre fiction book is almost 50 years old but has probably influenced your favorite fantasy author at some point.