Valerie
I picked this one up at the library to celebrate Banned Books Month. I've read a bit of Murakami in the past, so I expected some weirdness, and I was right to expect it. This book is an Oedipal myth, and it gets very mythy with talking cats, personality displacement, and portals to pocket dimensions. I couldn't see the exact reason why it was banned, but probably </spoiler>statutory sex scenes with people who may be mother/son</spoiler> but it could also be the fact that it features a trans man who is particularly nuanced and treated like a human being by basically every character. You just never know with book banners.
My husband often asks me if I'm liking whatever I'm reading, and I often found that questions hard to answer with this one. This book is profoundly uncomfortable and occasionally horrific. It's also Murakami, so there's a great deal I probably need four or five re-reads to interpret. Did I like it? Kind of? When I wasn't horrified? It's hard to explain. I had similar feelings after 1Q84. I like reading Murakami, though, because it really makes my literary interpreter brain kick into gear. Even when I don't understand points of the story, I enjoy thinking about them and why they are there. This book made me think about Japanese civilians in WWII, Greek Mythology, classical music, poetry, libraries as memories, memories as libraries, why people help others, capitalism, philosophy, and lots more, so it felt worth my time. That said, definitely check out some trigger warnings before reading this one.
I picked this one up at the library to celebrate Banned Books Month. I've read a bit of Murakami in the past, so I expected some weirdness, and I was right to expect it. This book is an Oedipal myth, and it gets very mythy with talking cats, personality displacement, and portals to pocket dimensions. I couldn't see the exact reason why it was banned, but probably </spoiler>statutory sex scenes with people who may be mother/son</spoiler> but it could also be the fact that it features a trans man who is particularly nuanced and treated like a human being by basically every character. You just never know with book banners.
My husband often asks me if I'm liking whatever I'm reading, and I often found that questions hard to answer with this one. This book is profoundly uncomfortable and occasionally horrific. It's also Murakami, so there's a great deal I probably need four or five re-reads to interpret. Did I like it? Kind of? When I wasn't horrified? It's hard to explain. I had similar feelings after 1Q84. I like reading Murakami, though, because it really makes my literary interpreter brain kick into gear. Even when I don't understand points of the story, I enjoy thinking about them and why they are there. This book made me think about Japanese civilians in WWII, Greek Mythology, classical music, poetry, libraries as memories, memories as libraries, why people help others, capitalism, philosophy, and lots more, so it felt worth my time. That said, definitely check out some trigger warnings before reading this one.