Crystallinegirl

I had to force myself to finish this book. It was okay at the beginning - I was hoping it would get better, and it did not. The Clothesline Swing is the the story of two gay Syrian refugees. It's an interesting framework; the narrator, one of the two, is telling stories to his husband to keep him in the world of the living. (The husband is dying from an unnamed illness.) There's a catch, though - Death is also with them, as an actual presence that can be talked to and interacted with. He smokes a join with the narrator at one point, and tells stories of his own - even plans a party - at another point. The story flicks back and forth between their past and their present with some unpredictability as the narrator tells his stories.

Because of the presence of Death, and the kind of hazy, in-between space that the stories reside in (between life and death, between awake and asleep, between fantasy and reality), the entire book is a little dream-like. I don't particularly enjoy ever-shifting books that don't have some kind of solid foundation for me to start on.

The book did a good job of showing the dangers of being gay in middle-eastern society, and also showed how hard it is to be a citizen of a country at war with itself. The list of friends who have died in violent ways is threaded through the entire book of stories. She was caught in a crossfire in an alley - he killed himself after being forced to marry a woman - he died when his office was shelled - she died from a car bomb.

I don't know. It's a strange book. I'm hesitant to say don't waste your time, because it covers important topics, but the dreamy quality just ruined it for me.

You can find all my reviews at Goddess in the Stacks.

This is the second book I read for my personal 24 in 48 challenge, and it was excellent. Ivan is a natural storyteller - each chapter flows seamlessly into the next, even though each is a separate vignette from their life, and they aren't chronological. I was never confused about where in the timeline we were; it was just like they were sitting down telling stories about their life, and that naturally ebbs and flows as people are reminded of different things that have happened to them.

It's not really fully clear whether Ivan is a transman, or simply non-binary, not that it should matter. They use they/them pronouns, and straddle the androgynous line enough that bathrooms and dressing rooms are a constant issue for them, one they touch on repeatedly through the book. Maybe if our bathrooms weren't so binary-focused, it wouldn't be as much of an issue when someone is gender-nonconforming!

The book moves between stories of Ivan's childhood in small-town Canada, their realization they are attracted to women, their experiences in largely male-dominated career fields, and their actual career as an author and public speaker. They talk about how their own family has been supportive of their transition (mostly) and how other parents have written them letters asking how to be supportive of their non-cisgender children. There are scenes of strangers being supportive, and scenes of shocking discrimination and transphobia.

The book is, overall, excellent, and a good introductory look at the life of a non-binary person. Ivan has written several other books, and I definitely want to track down Gender Failure, which they co-wrote with another non-binary person about, well, gender failure!

You can find all my reviews at Goddess in the Stacks.

Enchantress of Numbers has been making the rounds lately - it seems there's been an interest in books about women in STEM, which is a good thing. Ada Lovelace is considered to be the first computer programmer, though “computers” as we know them didn't really exist at the time. What she wrote was an algorithm for making a machine spit out a specific result - a machine that was never actually built. Still, her contributions to the very early science of computing were invaluable and she is (rightly) revered for them. Sadly, she died in her 30s from ovarian cancer - a loss that undoubtedly slowed down the advancement of early computing.

The early parts of the book are told in third person, about her mother's marriage to Lord Byron, and Ada's own birth. From there, Ada tells the story in first person, as she grows up with her strict mother in English Aristocratic Society.

It is historical fiction, so the author has taken some liberties, though I was a bit confused that in the book she meets Mr. Babbage some time before meeting Mrs. Somerville; Wikipedia says Lady Lovelace was introduced to Mr. Babbage by her mentor, Mrs. Somerville. Odd that the author chose to change that up.

I've definitely read better historical fiction - Philippa Gregory is a personal favorite - but this wasn't bad. It was a little slow, and a little dry in spots, but it was overall good. If you weren't interested in Ada Lovelace or early computing and mathematics I don't think the book would be very enjoyable at all. But if you do like those things, and are willing to put up with a little bit of boredom, it's a decent book.

You can find all my reviews at Goddess in the Stacks.

Dividing Eden is a little trite - it's the typical teens must compete for the throne kind of fantasy, but this time it's twins who are both guarding each other's terrible secrets. You don't LEARN their terrible secrets until almost 100 pages in, which was frustrating because they were alluded to multiple times before finally revealed to the reader. I almost stopped reading, I was so frustrated at the mention - AGAIN - of Andreus' DARK SECRET THAT NO ONE MUST EVER KNOW. Seriously. Don't do that to your readers.

The fact that they were protecting each other's secret while competing against each other for the throne was rather unique, and while I don't like Andreus much, I did enjoy Carys and her friends enough that I'll probably pick up the sequel when it comes out this June.

Everything happened very quickly, but that tends to be the case in YA. Adult fantasy seems to take its time and develop its characters more fully, which I enjoy.

The windmills and electricity was surprising, and I'd really like to know more about their religion of Virtues, and the Wind and Seeing Magic. I wish she had described her forest monsters a little earlier; they were only referred to by name for most of the book and I was left wondering if they were monsters or human raiders of some sort!

Verdict is - it's typical YA fantasy. If you're looking for a quick read, you might enjoy it.

You can find all my reviews at Goddess in the Stacks.

First off, I love this cover. Second, I am somewhat amused that Canadian dystopias always blame the US for the end of the world. It's always, always, because the US decided to be stupid. I can't blame them. It's perfectly realistic. But it is slightly amusing. In the case of The Wolves of Winter, the US carried its War on Terror too far and started nuclear war. It's unclear how widespread the nuclear winter is; the book is based in the Canadian Yukon where it's already cold. There's a brief mention of farmers farther south, so there is still some warmth somewhere. What really did humanity in, though, was the Asian flu. There's rumor that it was a biological weapon deployed by the US, that then escaped their control, but no one's really sure.

Lynn - Gwendolynn - lives in a small compound in the Yukon with her mother, brother, uncle, and uncle's ward. (The son of his best friend - I'm inclined to believe he's actually the son of the uncle's lover, but nothing was actually verified.) The only other human they've seen in years is their scumbag neighbor who occasionally steals deer out of Lynn's traps.

Until one day, while out hunting, Lynn comes across the mysterious Jax and his husky, Wolf. She brings him home for food and to tend his wound, and while her family is initially very wary of him, he starts to fit in. And then, of course, the brown stuff hits the fan.

I really enjoyed Lynn and her family. In flashbacks we see them before the flu, before they had to be survivors. I got the feeling her father always saw this coming, and was preparing her for it long before it actually happened. Lynn's memories of her father are particularly vivid and help to explain exactly how she's become who she is now.

I really enjoyed this book and read it in a single sitting, but I really like dystopias and winter settings. Ultimately, it's a pretty average nuclear winter dystopia.

You can find all my reviews at Goddess in the Stacks.

So this Nigerian-influenced fantasy made enough of a splash when it was released in October that I JUST got it in my hands from the library. That long wait....was not actually justified, sadly. The cover is GORGEOUS and the concept is really, really cool - the execution is lacking. I can tell that the author had the world pretty fleshed out in his mind, from the geography to the vocabulary - but he didn't actually pass that knowledge on to the reader. Kos is a walled city, but I'm not sure whether the Palace is within the walls or not? In one scene our protagonist LEAPS out of the castle and runs back the city - but in another scene he mentions that looking out the castle wall, Kos fits behind his fingernail. Kos is made up of several neighborhood plus a market - it's not small. So either his fingernail is HUGE or Kos is a pretty decent distance away. But it's written as if it only takes him about ten minutes to run there? Not to mention that he cracked a rib in the room that he leaped from (which is never mentioned again).

Oh and he winds up landing in an ivy maze out of nowhere - he couldn't see it from the palace? Let's see....the King regularly bombards neighborhoods with catapults in what's called a “baptism” but the people haven't revolted against this, for some reason. They talk about something called a “kanselo” but never define it. I -think- it's like an organized group or coalition, but I'm really not entirely sure.

The male protagonist treats every woman his age as a potential love interest, debating whether to give them his heart-stone, or whether people will think he's already given one girl or another his heart-stone - but never stops to ask if the girls are interested in HIM that way. Because of COURSE they would be, right? He's the Sky-Fist! The Lightbringer! The one whose tattoos never fade! (Eating sin-beasts causes a black tattoo to appear on your skin - on most sin-eaters these fade eventually.) Also he's just DUMB. He recalls that the sin-eater who ate his mother's sin had a certain tattoo, and when he runs across her years later, it takes him three or four encounters before realizing it's the same sin-eater. (The tattoo is a spider. Covering her FACE. It hasn't faded.) He makes stupid decisions - after nightmares of one love-interest being attacked by sin-beasts, he LEAVES HER SURROUNDED BY THEM to go run out into the city. He has at least FIVE love interests in this book. And only ONE of them seems interested in him in return.

I really wanted to like this book. The concept of sin-eating is great. But the main character and all the one-dimensional characters that surrounded him, along with the confusing geography, just turned me off. And I'm not even getting into the “ending.” Yeah. Definitely throwing quotes on that because that was not an ending. The book just stops.

Skip this. It was a terrible book wrapped in a deceptively pretty package.

You can find all my reviews at Goddess in the Stacks.

I've been picking up books on Autism since we realized my husband was on the spectrum, in hopes of finding tools to help us manage daily life. He's too busy with school and work to do much reading these days, so I've been doing the research and bringing it to him to discuss. It's led to some enlightening conversations and we've both learned a lot about each other. Cynthia Kim's blog was one I pored over and read parts of to him, and I finally got her book from my library.

One of the things I noticed most was she details social rules in ways I never would have thought to do - she has a list of seven very specific rules for eye contact, for example. As an allistic person, most of those rules are things I do instinctively, without even really knowing the reason for them. Like, in conversation, looking up or to the side means you're thinking, looking down means you're done talking. I read that to my husband and he jumped in, surprised, with “so THAT'S why I get interrupted so much!” I never would have thought to codify that into words, but it's something I naturally do.

She talks about meltdowns vs shutdowns, which are things we've already learned the difference between with my husband, but we're both eager for strategies to avoid, mitigate, and recover from them. She gave some strategies as places to start, but that's hard to give general advice on as every autistic is so very different in that regard.

The chapter on alexithymia was really interesting. Alexithymia being an impairment in identifying and describing emotions. It leads to a lot of “Hey, are you okay?” “I don't know.” “Well, how do you feel?” “I DON'T KNOW!” We'd already been introduced to this concept through her blog, but she expands on it in the book.

Another interesting (and applicable!) chapter was the one on executive dysfunction. (We joke that I am my husband's personal assistant - I keep his calendar and remind him of important dates/events/homework due dates, and sometimes nudge him to do things if it seems he's having trouble getting started.)

Kim uses the term Asperger's in her writing (as well as autism), but Asperger's has been rolled into the greater Autism Spectrum Disorder since 2013. Very recently there's been some debate about the Asperger name, as it's been revealed that Hans Asperger at least cooperated with the Nazis, and possibly was one himself. It's still used commonly, though, and there is a large community built around being Aspies. Personally, I think using the Asperger term is a little too divisive - it's basically the same as “high-functioning.” But. I'm allistic and my opinion on the matter isn't the important one, so. We use autistic for my husband. (His choice, and when I asked his thoughts, he also thinks the Asperger term is divisive and not useful.) There's a number of Twitter threads and articles on the subject of using or not using the Asperger term, and what it means to the community.

Overall, this was a really great book for learning about how autism affects day-to-day life, and gave us lots of talking points and words for things we didn't have the vocabulary for. I'm looking forward to tackling the rest of my Autism Reading List.

You can find all my reviews at Goddess in the Stacks.

Well, Rosamund Hodge has done it again. I think this one was actually better than Cruel Beauty, and about on par with Bright Smoke, Cold Fire. Crimson Bound is billed as Cruel Beauty #2, but it doesn't actually seem to take place in the same world. They're only connected in that they're both dark fantasy retellings of fairy tales. Crimson Bound is loosely (VERY loosely!) based on Little Red Riding Hood. It's amazing.

In Rachelle's world, The Forest is the dominating theme - it encroaches on villages and towns, sending “woodspawn” to attack people, and Forestborn to turn more humans into bloodbound and ultimately Forestborn. Humans are sheep to The Forest; prey to the Forestborn. Once a Forestborn has marked a human, they have three days to kill someone or they will die. If they kill someone, they become bloodbound - an intermediary step before they become completely Forestborn. Bloodbound have increased strength, resilience, and fighting skills, so the King has extended an offer to Bloodbound - even though they are known murderers, since they had to have killed someone to gain their powers - he will grant them clemency in exchange for their service to the realm. Guard the people from the woodspawn, the mindless monsters the Forest sends to attack people, and he'll let you live.

So Rachelle is a Bloodbound, bound to the King. Unlike most, though, she still believes in some of the old pagan stories about The Forest and the Devourer - the ancient evil driving the Forest's predatory ways. The book is about her quest to stop it from coming through into their world and destroying everything. There are twists and reveals that I cannot mention here, but it is an AMAZING piece of world-building and myth and I LOVED IT.

I also discovered she has several short stories post on her website so I'll be binge-reading those for a while!

This book - and anything by Rosamund Hodge - is pure magic. If you like dark fairy tales, you can't do better than this.

You can find all my reviews at Goddess in the Stacks.

I was actually very disappointed by this one. I had high hopes - I love Tamora Pierce. I've read almost all of her books, and reviewed several of them on my blog, most recently Tempests and Slaughter. I was hoping the Timeline would place the actual books in the timeline, but it's written completely in character, so only notable figures are named. (Beka Cooper, from the Mastiff trilogy, was not notable enough to get a mention, which I am quite sad about.) I knew this was going to be written in a guidebook style, not a novel, so I was prepared for that, but it still just didn't mesh well.

There were certainly amusing parts - the Spymaster taking an inordinate interest in someone stealing the royal Chef's recipes, because he loves the man's soups, for one. Also infuriating points, like the letters between the King and the man he asks to become the new Knight trainer - a man who really dislikes Alanna and female knights in general. I found the “threat-level profiles” on characters to be mostly rehashing of things we already knew.

The few mentions of Emperor Ozorne do make me want to go reread The Immortals War set of books, which I'd already somewhat wanted to do after reading Tempests and Slaughter. Now that I know they also deal with Ozorne, I want to read them again even more!

So I don't know. I could see it being a useful reference guide, but it's not really a good read. I'm pretty ambivalent about it. I would read any other Tamora Pierce book rather than this one.

You can find all my reviews at Goddess in the Stacks.

I absolutely love Patricia Briggs. Mercy Thompson is a great series, but the Alpha and Omega series stole my heart. Anna is one of my favorite characters EVER. (Though this book reminded me that I want to know more about one of the side characters, Asil, because he's always amused me.)

This is the fifth book in the Alpha and Omega series. It actually started as a short story that  was originally published in an anthology in 2007. I own the anthology - somewhere - but it's available as a separate ebook on Amazon. If you want to read the series, you really need to start there. It's where Anna and Charles meet and explains Anna's backstory. But in Burn Bright, Anna and Charles have been mated for a few years and gone on a number of adventures already. Now Charles' father, Bran, “the Marrok” is out of town, leaving Charles in charge of the pack, and of course, they're attacked.

In between pack dominance fights, unraveling curses, and pack bond magic, Anna and Charles track down attackers, heal wounds, and discover people aren't always who they seem to be.

The Mercy Thompson series and the Alpha and Omega series have both been hinting at a grand, over-arching plotline that gets revealed a little more in this book, so that's exciting, and I'm eager to see where this goes. I've enjoyed how the two series are very much their own series, but still exist in the same world and have events going on that affect both sets of characters. I think we'll see a crossover book soon.

I feel a little weird calling it urban fantasy- that IS the genre, but the Alpha and Omega series, in particular, usually takes place out in the sticks. Not exactly urban. (You could call the Mercy books the city and Alpha/Omega the country and not be too far off.)

It's a great addition to the series, if you've been reading them. Not good as a standalone if you don't know the rest of the world already, though!

You can find all my reviews at Goddess in the Stacks.

This is the sequel to Rebel of the Sands, which I read several weeks ago. The conclusion to the trilogy, Hero at the Fall, came out in March, and I'm waiting patiently for a copy from the library. (Okay, so maybe it's impatiently, but I'm waiting!)

I love so much about this book. I always love non-western style fantasy, and this one is definitely middle-east inspired, with its djinni and deserts and fancy khalats. (A khalat is a loose, long-sleeved silk or cotton robe worn over the rest of your clothing.) The Demdji - the children of djinni and humans - are all fascinating, with interesting powers. And fantasy politics, at the highest of possible levels!

Amani is a fascinating main character, with her control over sand, her personal ethics, and her personal conflicts. She's the daughter of a djinni, and we actually meet djinni for the first time in this book! I liked her love story better in Rebel of the Sands - it seemed very muted in this book, but they did spend most of the book apart. I am eager to see where that part of the plot goes in HatF.

There were a couple of twists that surprised me - who the titular traitor was, for one. The book was full of traitors of one kind or another. I also really liked seeing palace and harem life; the first book focused on desert backwaters and outlaws, so this was quite a change, and I liked it. I'm still half in love with Prince Ahmed, though we meet his half-brother Rahim in the palace, and he's growing on me. The Sultan himself also surprised me; I expected a villainous, power-mad ruler, and he is not that. He seemed to surprise Amani, too.

I was excited to see the djinni actually make an appearance; I'd expected them to stay an abstract idea for the entire trilogy! They certainly never showed up in the first book. I mean, it was obvious they still came to humans, or Demdji couldn't exist, but no one, even the mothers, ever spoke about seeing or interacting with them. Even to their half-djinni children. I'm hoping this means they'll play a bigger role in the third book, because after the small glimpse we get here, I really want to know more about them!

Like most of the other reviews I've read, I agree that this wasn't as strong as the first one, but middle books in trilogies rarely are. It is a solid volume, though, with lots of plot advancement and world-building and politicking. Can't wait to get the concluding book!

You can find all my reviews at Goddess in the Stacks.

So far, all we've seen of Phasma was the enigmatic Storm Trooper Captain, in chrome armor, powering down the shields when forced to in The Force Awakens. We never even saw her face.

So in the novel, we learn Phasma's true origins. The story is told via a framework - a Resistance spy, Vi Moradi, is captured by Captain Cardinal, Phasma's chief rival within the First Order. He forces her to tell him all she knows about Phasma, which she does, because it's not info directly about The Resistance, and she's hoping to turn him to her side. Phasma's life began on a once thriving planet that had been decimated about 150 years before her birth by some force. (I don't want to reveal too many surprises, and this book is full of them!) One of her old tribemates told the entire story of Phasma's youth, rise to power in the tribe, and eventual escape from the planet to Moradi. It's a story of survival at all costs, and illustrates just how good Phasma is at it.

I rather hope we see Captain Cardinal in The Last Jedi, as he grew on me even as he was interrogating Moradi. He goes from loyal First Order soldier with a grudge against Phasma to a conflicted man who's beginning to see how much he's been brainwashed. It's intriguing to read. The revelation that The First Order rewards the ruthless while overlooking those who play by its own rules also breaks him a little bit.

I really enjoyed this book, and I will definitely be picking up Bloodline and Princess of Alderaan, because I can never get enough Leia. If you're not a Star Wars fan, I'd definitely take a pass on this book, because it won't really mean anything. But as a fan, it's a fascinating look at the beginnings of a villain.

You can find all my reviews at Goddess in the Stacks.

This is a great read for Pride Month! Khya's society has three genders - male, female, and ebet. They're all equal, though ebet aren't capable of having children. The ebets' pronouns are ey/eir/em. No one cares what gender anyone else is, and soul bonds, which seem to be the only form of long term bonding, can be made between any two people who love and trust each other enough, whether that's romantic or not. Siblings can form a soul bond if they wish, it doesn't imply a sexual relationship. The main plot line follows Khya, Tessen (the man who loves her), and Sanii, Khya's brother's ebet lover, as they try to rescue Khya's brother. In the process, they learn things about their society that only the ruling class knows, and have to make some hard decisions.

Khya's home, Itagami, is separated by castes: The Miriseh, ten immortal rulers, the Kaigo, the Council below them, the Nyshin, or warriors (anyone with strong magic), the Ahdo, or city guards (anyone with weak magic), and the Yonin, who don't have any magic and are little more than drudges. Yonin aren't really allowed to associate with the higher classes and are kept out of most places by magic. The only movement between castes is the few Nyshin who get elected to the Kaigo. I generally dislike societies that are so rigidly separated by castes, but that makes it all the more satisfying when people rebel, I suppose.

I enjoyed the world building and magic system - Khya, in particular, is a Warding Mage, and can shield people from things like projectiles, lightning strikes, and even from water, giving them air to breathe underwater. Khya's a little prickly for a main character, but she comes around eventually.

The book was a finalist in the Speculative Fiction category of the Bisexual Book Awards, but did not win. (Full list of finalists and winners in the link above, as well as previous years' lists - Fair Warning, my To-Read listed exploded.)

I thought this was a great book and will be looking up the sequel, Sea of Strangers.

You can find all my reviews at Goddess in the Stacks.

It's so hard to decide where to start with this book. First: it's amazing. Second: Content Warning. For a number of reasons. Rape. Incest. Gay Conversion Therapy. Suicide. Nothing extremely graphic; the most graphic concerns the conversion therapy, which is where the suicide occurs. That section was hard to read. A lot of sections were hard to read. But the book was SO GOOD. It's about Essie and Roarke's escape from all that, so ultimately it focuses on the future, and it's a hopeful, light-at-the-end-of-the-tunnel kind of book. But daaaaang these topics.

I loved so many of the characters here. Essie and Roarke, Roarke's best friend Blake, Liberty, the reporter, her boyfriend and her camerawoman. They're all amazing. Essie's determination, Roarke's courage, Blake's understanding - every character has something to offer in this book. The way Liberty's history entwines with Essie's, so she knows where she's coming from and can offer advice from experience, and how Liberty flashes back to her childhood so the reader understands her conflicts - it's all just so amazing.

I identify pretty closely with a lot of this book myself; I was raised very conservative Christian, though at least not in a crazy cult like Liberty was. But the way Liberty talks about her boyfriend challenging her beliefs and waking her up from them hit very close to home. It was weird to see it on the page.

“I had been home as well, a painful few months during which I began to see my parents, our family, and our church as Mike might see them, as anyone who was not us would see them. I still loved my parents, very much, but I was also deeply ashamed. I began to wonder what would have happened if I'd seen it earlier....I decided that I would not go home again.”

I was cheering for Essie as she broke free of her bigoted family. Every step of the way. And Roarke - oh, Roarke, who my heart broke for, who stepped up to the plate and loved Essie in his own way, and gave Essie what she needed. It helped that Essie offered him precisely what he needed too, but I didn't expect how their relationship evolved.

I loved this book, start to finish. This is definitely one of my favorites of 2018.

You can find all my reviews at Goddess in the Stacks.

First off, once again this is an older book that uses the term Asperger's throughout. The book was originally published in 1999, but a few more chapters were added and it was republished in 2014. (I read the updated version.)

Honestly I found it a little hard to get through. Unlike Nerdy, Shy, and Socially Inappropriate, (which I reviewed here) it was pretty much entirely memoir, and didn't really speak to the reader as if trying to have a conversation at all. It just told Willey's story. Which is fine, it just wasn't what I was expecting after reading Nerdy. The appendices are the only place that have tips and tricks for dealing with the neurotypical world as an autistic person, but there wasn't really anything new or unique there.

I also just don't think I like her writing style as much as I did the writing style in Nerdy, but that's such a personal thing. It's hard to make a recommendation based on that. Autistic people vary so widely in where their strengths and weaknesses are that it's difficult to say which books will be useful to which people, in general.

So - it's worth reading for yet another viewpoint on being autistic, and there are several parts on parenting as an autistic woman, so autistic parents might get more use out of the book than I did, as a childless spouse of an autistic man. But I personally did not like it nearly as much as Nerdy or The Journal of Best Practices (Reviewed here).

You can find all my reviews at Goddess in the Stacks.

I hadn't actually intended this to be one of my Pride Month reads, but Mel, the main character's best friend and business partner, is lesbian, so it turns out that it counts! I read this book as part of Litsy's “Buddy Reads” program, where everyone participating reads the same section of the book and discusses it before moving on to the next section. So I've been slowly reading this one over the past month. I'm not sure I would have read this if not for the Buddy Read.

This book surprised me! I enjoyed it, and I wasn't sure I would. Mel and Sharon have been friends since college, spurring each other to greater artistry in their chosen field of adult cartooning. (Not porn, just not childish themes.) They work well together, with Mel coming up with most of the beginning ideas and Sharon hammering them into a shape that will work and keeping them on track through projects. But Mel has a drug and alcohol problem, and Sharon has a stroke, and working through all of those things are really what the book deals with.

The two go back to visit Sharon's hometown in Kentucky at one point, and the way Sharon describes the town, and how surreal it is and how she never felt like she belonged, even when she lived there - that was a really hard-hitting passage for me. I went back to my own hometown last Christmas, and I felt the same feelings Sharon has in the book. Seeing those feelings actually put into words was....strange.

I honestly didn't like either Mel or Sharon for the first few chapters, but as the story unfolds, they begin to open up. The book is about growing up in some ways; the two of them, though advancing in their careers, haven't had to do a lot of maturing emotionally until the events of the book. I thought they both become much more likable as that happened.

The writing was excellent in this book, the character development outstanding, and the plot heartbreaking in places. Even though it's not my typical reading fare, I really liked it.

You can find all my reviews at Goddess in the Stacks.

Oh this was AWESOME. With the exception of the main character's name (Cole Brannigan) making me think of Zapp Brannigan from Futurama ALL THE TIME, this was a great read. The book is actually set in the near future of Earth - sometime after “E-Day” which they never actually said what the “E” stood for, but maybe Emergence Day? Because that was the day the dragons burrowed up from the earth and started destroying everything. (They referred to a song popular in the 80s as “ancient music”!) There's some new technology - androids are getting popular, robot dogs are common, and the Smoke Eaters have laser swords and laser cannons for taking down dragons. But firefighting is still mostly the same.

Not-Zapp Brannigan is about to retire when his (regular) fire fighting team unexpectedly encounters a dragon. Normally, normal fire fighters don't go in until the Smoke Eaters have taken out the dragon, but they didn't realize there was a dragon here until far too late. During the fight, Brannigan loses his oxygen mask and discovers he can breathe in the thick smoke and be fine. He's a literal Smoke Eater. When the actual Smoke Eaters arrive and discover him, he's shanghaied into joining up.

The book covers Brannigan's Smoke Eater training, what little of it he gets, and the trouble he gets into being on the Mayor's bad side. We get to see several different types of dragons, and also see how the experience of many years of fighting normal fires helps with dragon-fighting strategy. There's some theories on the dragons - where they came from, how they reproduce, how best to fight them.

Most of the book takes place in Ohio, but they take a jaunt to Canada and - well Canada's gone VERY WEIRD.

This book was great, and a fun ride start to finish. I hope he writes more in this world, though the book is a perfectly fine standalone.

You can find all my reviews at Goddess in the Stacks.

This book was great! This is the concluding volume of the Rebel of the Sands trilogy, and it wrapped things up perfectly. I especially liked how she handled character deaths; each one got a short little chapter told in a legendary story kind of way, switching to a third person narrator instead of the first person viewpoint of Amani. The last chapter, telling us what came after the events of the book, was told in the same manner, and I really liked how it tied the book together.

There's so little I can say about this book without spoiling the previous two! We learn even more about the Djinni in this book, and some of the creation myths of Amani's people. We get a little more into the politics of other countries, and even a bit of their magic. And ohhhh there are stories to be told there, if Hamilton wants to continue in this world. I'd love to see a prequel based on Sam, and his country could do an entire sequel trilogy!

I think one of my favorite scenes was Amani using her control of sand to sail their ship across the desert. It's just an amazing visual.

This was one of the best concluding books to a trilogy that I have read in a long time. Fantastic book.

You can find all my reviews at Goddess in the Stacks.

Christie Golden has written several World of Warcraft novels by now, including my favorite, Tides of War, about my lady Jaina Proudmoore. (I should mention my main is a human mage, so I am obviously biased toward the Alliance, and Jaina is my girl.) So when I heard she was writing the newest one, I was quite excited. Before the Storm was released in June, as part of the lead-up to the newest expansion of World of Warcraft, which drops in mid-August. It covers events that happen after the storyline of the current expansion, but before the storyline picks up in the next. There is not, however, much of an introduction, so if you're not familiar with the video game, this book will lose you pretty much immediately.

Anduin became the King of Stormwind in the beginning of the last expansion, when his father died fighting the Legion. (RIP, Varian, you were pretty awesome.) As prince, Anduin often advocated for peace, often sneaking around and finding backchannels to communicate with like-minded people among The Horde, most notably Baine Bloodhoof, the high chieftain of the Tauren. As King, he's continued to advocate for peace, but a bit more openly. Unfortunately, the leader of the Horde doesn't necessarily feel the same way.

I loved Anduin's scheme to foster understanding between the Forsaken and humans. I especially loved that it included Old Emma, who has been wandering around Stormwind in game for years. That's actually something I love about the novels in general; often they'll take those small, flavorful NPCs and actually give us the backstory, or use them in some new manner.

I also really loved the Goblin/Gnome pair who were tinkering with the Azerite, and I'm a little upset at the cliffhanger we left on in regards to them! Hopefully that will be resolved in the game itself.

I thought it interesting that the book still showed the priests working together as one, and the shamans and druids doing similarly. The shamans and druids have always done that to a point; not every shaman was part of the Earthen Ring, but the druids have always worked together regardless of faction. But if the classes are still being cohesive, why are the factions fighting? That's 3 out of 12 classes still working cross-faction. Mages, also, have a strong cross-faction tradition. If a quarter to a third of the populace are working together, why are we still fighting? I suppose it's probably technically smaller than a quarter; civilians and NPC soldiers don't have classes, so they probably outnumber those with them. So perhaps it's still a small minority, despite what we see as players. Sylvanus goading her own people doesn't exactly help.

Anyway. I loved this book, I thought it set us up for Battle For Azeroth quite nicely, I'm eager to see what a certain surprising character from the book ultimately does, and I'm looking forward to release day!

You can find all my reviews at Goddess in the Stacks.

I've been reading a lot of fiction lately, so it's about time to sprinkle in a nonfiction volume! As soon as I learned this book existed, I knew I needed to get my hands on it. I've been living with two autoimmune disease most of my adult life, and in the past three or four years their impact on my life has grown quite a lot. I struggle with fatigue, with my weight, with muscle pain, with migraines, with intestinal issues if I eat the wrong thing. Some days it's just hard to function like a normal person when my brain is full of fog and every movement hurts. So this book? This is my life.

The author of this book did a LOT of research. She's not only disabled herself, but she interviewed SO MANY PEOPLE, with all kinds of different disabilities, diseases, and experiences. Mostly patients, but she also interviewed a few doctors.

The book is divided into six chapters: “Could Someone Love This Body of Mine,” “The (Foggy) Glass Ceiling and the Wall,” “It's Cool Guys I'm Totally Fine,” “Why Don't They Believe Me? or the Case of the Lady Lab Rat,” “To Raise Small Humans - Or Not,” and “Sick Like Miss America.” I really enjoyed her divisions here. The first chapter is about romantic relationships, the second about work, the third about friendships. “Why Don't They Believe Me” covers women's relationships with their doctors, the next chapter is obviously about fertility and parenting, and the last chapter is about society's expectations of beauty and how to be sick.

“Could Someone Love This Body of Mine” touched on some of my personal insecurities, as one of my autoimmune diseases leaves pretty ugly scar tissue on my skin. It talks about how men tend to leave women with disabilities or chronic illness, but women don't. (The book has extensive footnotes detailing sources and studies to back up claims like this one.)

I think the only chapter in this book that I didn't really directly relate to was about raising children. I was child-free before being diagnosed, and it hasn't changed my mind. We don't want kids.

If you or someone you know has a chronic illness, I'd recommend reading this book. There's valuable information and insight here, even if all you get out of it is “I'm not alone in this!”

Now I'm off to take a nap.

You can find all my reviews at Goddess in the Stacks.

The Guns Above is what I'd call hard Steampunk. It's about the mechanics of the airship, and the strategies of war, far more than about the characters. There's little to no character development; Bernat, described as a “shameless flirt” in the cover blurb, really only flirts once, and that with Josette's mother.

I confess to being disappointed with this book. I was expecting something more character driven, and instead what I got was Steampunk military fiction. There was a LOT of violence, injury, and death, as you'd expect in a real war, especially a war fought with rifles and sabers and cavalry. With the exception of the airships, this is a close-combat kind of war. Rifles are a new-fangled innovation; most people are still using muskets and bayonets. Pistols are rare. Airships are the best technological advancement either side has made, and they're dependent on bladders of lighter-than-air gas and wooden frameworks. They're fragile enough a single cannon blast, if aimed right, can take out the entire contraption.

The cover blurb makes it sound as if there could be a romance between Josette and Bernat - nope. Not in the least. Bernat is conscripted by his uncle (the General) to find some dirt on Josette that will let the General demote her without incurring the wrath of the people who view her as a war hero. Bernat's entirely okay with doing this until some point in the  book where he changes his mind for no discernible reason. If he's decided that Josette is a worthy Captain, I wish that had made it onto the page as a motivation.

And WHY were they at war? Even the characters struggle to explain it. They're just perpetually at war for no good reason.

The action was good. The strategies were good. The characters and world-building fell very, very flat.

You can find all my reviews at Goddess in the Stacks.

Clock Dance was the second pick for Barnes & Noble's  nation-wide Book Club. (The first was Meg Wolitzer's The Female Persuasion, back in May.) Like the first one, it was contemporary fiction, which I'm pretty meh about. When I learned it was set mostly in Baltimore, and written by a local author, I became more interested. I'm originally from Oregon, but Baltimore has become my home, and I enjoy reading about it. We had a slightly larger group than last time, but I was the only returning attendee besides the store employee, Sam, who led the discussion.

Sam opened the discussion with the same question that she started the last one with - “Did you like the main character?” It's an interesting question because most people ask “Did you like the book?” which can have a different answer. I don't usually read books in which I don't like the main character, but that's usually because I choose my books. I'm not choosing my Book Club books, so it's a good question. Unlike last time, I did like Willa. I disagreed with her judgment when it came to husbands, but I still sympathized with her. I mentioned that I didn't like that she just floated through most of her life without any real ambition, but to be honest, I've done that too. I'm not a very ambitious person - or my ambitions are quite low. I think that, perhaps, is the difference. I find a lot of fulfillment in being, effectively, my husband's personal assistant. It's fun. Willa did not seem to find it fulfilling, she just - didn't want to rock the boat.

I like how we saw each of Willa's “defining moments” - the book opens on her as a child, her volatile mother having stormed out of the house during an argument. Her mother really does a number on her as a child. I think it's why she hates to rock the boat so much. From here, we fast forward to college, and Willa's boyfriend proposing to her after gaslighting her about an event that happened on the plane. Willa's mother disapproves. Vehemently. I think that's part of why Willa accepts. Our next view of Willa's life is the accident that takes her husband's life, and its aftermath.

Then we finally start into the real meat of the book, twenty years after the death of her first husband. Her sons have grown and moved away, she has remarried, and both of her parents have passed. Her husband is a little distant, and she seems rather untethered. Then she gets the strangest phone call. It turns out her eldest son lived with a woman (Denise) and her daughter for a little while in Baltimore; he has since moved on, but “Sean's mother” is still a phone number on Denise's emergency contact list. So when Denise is shot in the leg and put in the hospital, a neighbor lady sees it, assumes Willa is the grandmother of the child, and calls her to come take care of her. It's a little convoluted, and Willa can't even adequately explain to her husband why she's decided to fly to Baltimore to take care of a child she has no relation to, but she does so anyway.

This is where we get to Baltimore, and, in Anne Tyler's own words, “when her story changes to Technicolor.”

I actually live just outside Baltimore myself, but one of my best friends lives in Charles Village, and I could SO EASILY envision Willa's neighborhood as a street of rowhomes. (Turns out it's probably based on a neighborhood in Hamilton, according to the Baltimore Sun.) I was even mapping locations in Willa's house to my friend's rowhome! Anne Tyler really captures the spirit of Baltimore, and now I want to read more of her books, even if they are contemporary fiction!

Overall I enjoyed Clock Dance; Anne Tyler is very good at subtle character growth, which is quite realistic. People don't often change all at once. Sometimes it takes a lifetime of being told what to do before finally waking up to what you WANT to do.

You can find all my reviews at Goddess in the Stacks.

This was a great little read. It only took me a couple of hours to read, and I identified with the main character SO HARD. Abby is also a plus size blogger, and while she blogs about fashion instead of books, and her hair is pink instead of purple, a lot of her insecurities about the way people see her (both online and off) are things I share. I even share her trepidation about learning to drive!

It's a clean romance; no one ever does more than make out. The book focuses far more on friendships than it does on sexual matters. The friendship between Abby and her female friends, between Abby and Jax, and between Abby and her girlfriend. I like that Abby had supportive female friends who didn't pull the “So are you attracted to me? You're not?! But why not?!” that so many people try to pull on their queer friends. I also loved how the author flipped the trope of “gay best friend” on its head, and gave us Jax, the straight boy/close friend.

The book is apparently pretty indicative of Amy Spalding's work, so I might have to look into more of her books. This was an absolute delight to read!

And I have to say how much I love this cover! From the stripey rainbow title font to the rainbow back cover, it's just gorgeous and summery and positive.

You can find all my reviews at Goddess in the Stacks.

Regular readers of my blog know that I'm not a big fan of Contemporary Fiction. This, however, blew me away. Goodbye, Paris, is one of August's Books of the Month, and as usual, it is outstanding. I don't know how they consistently pick amazing books, but month after month they bring a bit of magic.

I started this book thinking “oh, she's a musician, I can get into that,” but I didn't know how much the author was going to explore that facet of her life. But right away, on page 14, our main character did something that made me gasp aloud and stop and actually write in my book. Which is a thing I don't do. Grace plays cello the way I play piano. She's far more skilled than I am, but - well just read:

“My knees poke out, bony and white, cushioning the pointed lower bouts of the cello, and the scroll rests, where it belongs, against my ear. The cello takes up its rightful place and I become nothing more than a mechanical part of it.

This is what I have always done, how I have always found myself when I've been lost. When I first went to music college, eighteen years old and paralyzingly shy, when ringing my parents from the pay phone in the corridor just made me miss them even more, I would feel the strength in the neck of my cello, flatten the prints of my fingers into the strings, and forget.

I play and play; through thirst, past hunger, making tiredness just a dent in my soul. I play beyond David's marriage, his holiday, even how frightened I was when he disappeared below the platform.

I play on until the world is flat again and the spaces between my heartbeats are as even as the rhythm on the stave in front of me.”

This is how and why I play piano! To see it so gorgeously described on the page was breathtaking. I am not a concert-level pianist by any means, but I'm decent, and playing piano brings me back to myself. When I'm angry or frustrated or hurt or simply feeling down, the music centers me and makes me focus until everything else falls away. From this point on, I was enthralled with this book and with Grace.

Grace's partner, however, I was not so enthralled with. Grace and David have been together for eight years when the book opens. David has been married for all of those years, which Grace knew the night they met. (Though after they fell in love - it was one of those lightning-bolt-from-above things) He had two children with his wife, though, and a third on the way, and because of the crappy way he grew up, he was absolutely unwilling to divorce and mess up his children's lives. Which, okay. Noble. (Though honestly, most children know when their parents are unhappy and wish they'd just divorce already, as Nadia, one of Grace's friends, illustrates.) He and his wife both know their marriage is only for the children at this point, and are totally okay with relationships outside the marriage. Grace, however, is unaware of this arrangement, and THAT'S where my irritation at David comes in.

I don't talk about it much on my blog, (though I have mentioned it) but my husband and I are polyamorous. He's had another partner for almost five years now, plus other occasional dalliances. But everyone knows this. His other partner and occasional flirtations all know about each other and about me. David, on the other hand - his wife appears to know about everything, but Grace only knows about his wife. We're never told what his other girlfriends know about. This isn't ethical non-monogamy. He lies to everyone about his intentions and relationships. I think he's probably incapable of monogamy - some people are - but he needs to be truthful about it. There are ways to make that work without ruining peoples' lives and breaking hearts!

So David is not a character I like.

Mr. Williams and Nadia, however, are amazing. So besides playing the cello, Grace also makes cellos. And violins, and double-basses. Nadia is her shopgirl, and Mr. Williams is an old man who brings her a violin to repair. These three become such an incredible little trio! Nadia and Mr. Williams are the ones who put Grace back together when her life gets turned upside down, and are saved themselves in turn. Nadia is a little prickly, but I think it was her way of protecting herself. Mr. Williams is too old for games - at eighty-six, he doesn't fool around anymore.

I loved this book. Book of the Month has once more made an outstanding pick. The characters and emotions are beautiful and heart-rending and magical. I think this is one of my favorites of the year!

You can find all my reviews at Goddess in the Stacks.

I....may have an unpopular opinion on this book. First, I LOVED the first book of this trilogy, The City of Brass. Absolutely loved it. It was one of my favorite books of that year. I like this one significantly less. I think that probably wouldn't be the case if I had read this in quick succession, but I read City of Brass when it came out, and had to wait a year for this one, in which time I read around 200 more books.

I expected a certain amount of backstory explanation in Kingdom of Copper - and it wasn't there. I think the book assumes you remember everything that happened in City of Brass - and I most certainly did not. I don't remember why we have the division between the djinn and the daeva, or really which is which. I know the shafit are part human, part...djinn? Daeva? See that's the problem. These are very politicky books and forgetting key parts of the political drama makes this book VERY hard to follow. I don't know WHY there's conflict between certain people, and I don't recognize missteps when characters make them because I've forgotten who has which opinions.

All the worldbuilding explanations are in the first book, and they aren't revisited in this one. Had I KNOWN that, I might have re-read City of Brass before this came out, as much as I dislike re-reading anything.

All of that aside, and despite my confusion, I mostly enjoyed this continuation of Nahri's story. We delved a little more into murky bloodlines, the more recent past of Daevabad, and the more ancient past of Nahri's healer ancestors, the Nahids.

I still love Nahri, I like Ali a little more, and I like Dara a little less. I am curious to see where the third book leads, especially after the cliffhanger ending of this one. I just might have to re-read both City of Brass and this one before reading the trilogy's conclusion.

You can find all my reviews at Goddess in the Stacks.