#404 | 3.5 | |
#405 | 3.38 | |
#406 | 3.64 | |
#407 | 3.86 | |
#408 | 3.76 | |
#409 | 3.27 | |
#410 | 0 | |
#411 | 3.83 | |
#412 | 3.5 | |
#413 | 4 | |
#414 | 3.71 | |
#415 | 3.86 | |
#416 | 3 | |
#417 | 0 | |
#418 | 3.82 | |
#419 | 4.17 | |
#420 | 3.67 | |
#421 | 3.83 | |
#422 | 3.84 | |
#423 | 3.33 | |
#424 | 3.63 | |
#425 | 3.86 | |
#426 | 4 | |
#427 | 4.14 | |
#428 | 3.83 | |
#429 | 3.84 | |
#430 | 3.71 | |
#431 | 3.94 | |
#432 | 3.71 | |
#433 | 3.79 | |
#434 | 4.11 | |
#435 | He, She and It He, She and It: A Novel
| 3 |
#436 | 3.53 | |
#437 | 3.53 | |
#438 | 3 | |
#439 | 4.23 | |
#440 | 3 | |
#441 | 3.33 | |
#442 | 3.5 | |
#443 | 2.5 | |
#444 | 5 | |
#445 | 4 | |
#446 | 4.11 | |
#447 | 3.67 | |
#448 | 3.79 | |
#449 | 4.3 | |
#450 | 4.03 | |
#451 | 2.67 | |
#452 | 3.47 | |
#453 | 3.5 | |
#454 | 4.02 | |
#455 | Across the Event Horizon Across the Event Horizon
| 3 |
#456 | 4.61 | |
#457 | 4.5 | |
#458 | 3.75 | |
#459 | 4.21 | |
#460 | 3.88 | |
#461 | 3.75 | |
#462 | 3.81 | |
#463 | 3.5 | |
#464 | 0 | |
#465 | 2.67 | |
#466 | 4 | |
#467 | 3.63 | |
#468 | 3.81 | |
#469 | 4.07 | |
#470 | 3 | |
#471 | 3.86 | |
#472 | 4.32 | |
#473 | 0 | |
#474 | 3.67 | |
#475 | 3.97 | |
#476 | 3.5 | |
#477 | 3.4 | |
#478 | 3.63 | |
#479 | 3.58 | |
#480 | 3.38 | |
#481 | 4 | |
#482 | 4 | |
#483 | 4 | |
#484 | 3.5 | |
#485 | 3.57 | |
#486 | 3 | |
#487 | 3.33 | |
#488 | 3.95 | |
#489 | Dark Matter Dark Matter: A Century of Speculative Fiction from the African Diaspora
| 0 |
#490 | Swallowing a Donkey's Eye Swallowing a Donkey's Eye
| 0 |
#491 | 4.28 | |
#492 | 4.22 | |
#493 | 4.23 | |
#494 | 3.8 | |
#495 | 3 | |
#496 | 3.84 | |
#497 | 3.25 | |
#498 | 3.26 | |
#499 | 4.21 | |
#500 | 3.94 | |
#501 | 4.14 | |
#502 | 3.1 | |
#503 | 4.2 |