hc.newton
Teaching Moments
This originally appeared at The Irresponsible Reader.
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What’s Teaching Moments About?
It seems that after the events of Harvested, Max Boucher has developed a specialty when it comes to his PI work—animals. Granted, most of these are pretty small cases without a lot of excitement, but work is work, right? And if he’s getting the bills paid, he can spend more time thinking about the new evidence he found at his old home at the end of Harvested.
But that’s for another time, really. Max has been hired to leave Seattle and come to Cedar Peak—a small town in Idaho*, where someone from out of town sticks out like a sore thumb. He’s been called upon to investigate a missing—presumed stolen—horse, worth a pretty penny.
* I kept changing my mind about what city it’s based on, and decided to stop trying because it really doesn’t matter.
But before he can even start this investigation, he stumbles across a murder. Now, that’s not why he’s in town, but he sort of befriends the woman dating the dead man (who turns out to be related to the horse’s owner). He’s warned off by the local police, but he ends up looking into the murder, too.
It’s not long at all before Max discovers that almost nothing is what it seems and that he might have bitten off more than he can chew this time.
The Other POV
Interwoven with Max’s story is the first-person account of a young woman becoming a serial killer. On the one hand it’s easy to see why we get this (her weapon of choice is used in the murder)—but it frequently feels like it could be a different book.
Actually, you could excise these chapters (or at least almost all of them) and publish it as a stand-alone novella. You’d probably need a different conclusion to make it satisfactory—but it’d work that way.
This isn’t entirely a criticism (although it does feel a little out of place from time to time)—the way this story ends up merging with the rest of the novel really works and adds to the overall impact of the novel.
The only real complaint I have about it is that all these chapters are in italics, and it just bugs me to read that much italicized material, there’s gotta be a better way to set that kind of thing off from the rest of the text.
The Series Arc
After the way that Harvested ended (and well, the way that most of that book went), I assumed we’d get a lot more time and space devoted to the murder of Max’s daughter and the disappearance of his wife in this book. I didn’t expect that he’d solve everything so soon, but still.
And while Max (and/or Lambert) didn’t blow off the topic, the novel didn’t focus on it as much as I’d assumed. I think it’s good for the long-term health of the series, as long as Lambert doesn’t drag things out in this regard. The closing pages of this novel bring in a new twist to the series that can help out with the overall arc(s), too.
So, what did I think about Teaching Moments?
It feels pretty uncharacteristic of me not to mention Max’s dog so far. Russ is one of those rescued at the end of Harvested and he’s become an important part of Max’s life. He’s a very good boy, and a canine I’m pleased to make the acquaintance of.
I don’t think I was as surprised at a lot of the serial killer story as the novel wanted me to be. That may be because I read too many things in this genre. It was well-executed and I don’t have any noteworthy negative things to say about it beyond I thought it wasn’t that unexpected. I don’t need to be shocked, I just want a good story, and that’s what Lambert delivered.
A solid PI novel is one of my favorite things in the world. Lambert’s Max Boucher novels are good examples of the genre. Yes, the setting and the central crime might not be common for the genre, but they work well in Lambert’s hands. I’m definitely looking forward to more of these, and recommend them to you. Even if you’re not looking for a series, Teaching Moments could work as a standalone. Either way, you should give this a shot.
This originally appeared at The Irresponsible Reader.
---
What’s Teaching Moments About?
It seems that after the events of Harvested, Max Boucher has developed a specialty when it comes to his PI work—animals. Granted, most of these are pretty small cases without a lot of excitement, but work is work, right? And if he’s getting the bills paid, he can spend more time thinking about the new evidence he found at his old home at the end of Harvested.
But that’s for another time, really. Max has been hired to leave Seattle and come to Cedar Peak—a small town in Idaho*, where someone from out of town sticks out like a sore thumb. He’s been called upon to investigate a missing—presumed stolen—horse, worth a pretty penny.
* I kept changing my mind about what city it’s based on, and decided to stop trying because it really doesn’t matter.
But before he can even start this investigation, he stumbles across a murder. Now, that’s not why he’s in town, but he sort of befriends the woman dating the dead man (who turns out to be related to the horse’s owner). He’s warned off by the local police, but he ends up looking into the murder, too.
It’s not long at all before Max discovers that almost nothing is what it seems and that he might have bitten off more than he can chew this time.
The Other POV
Interwoven with Max’s story is the first-person account of a young woman becoming a serial killer. On the one hand it’s easy to see why we get this (her weapon of choice is used in the murder)—but it frequently feels like it could be a different book.
Actually, you could excise these chapters (or at least almost all of them) and publish it as a stand-alone novella. You’d probably need a different conclusion to make it satisfactory—but it’d work that way.
This isn’t entirely a criticism (although it does feel a little out of place from time to time)—the way this story ends up merging with the rest of the novel really works and adds to the overall impact of the novel.
The only real complaint I have about it is that all these chapters are in italics, and it just bugs me to read that much italicized material, there’s gotta be a better way to set that kind of thing off from the rest of the text.
The Series Arc
After the way that Harvested ended (and well, the way that most of that book went), I assumed we’d get a lot more time and space devoted to the murder of Max’s daughter and the disappearance of his wife in this book. I didn’t expect that he’d solve everything so soon, but still.
And while Max (and/or Lambert) didn’t blow off the topic, the novel didn’t focus on it as much as I’d assumed. I think it’s good for the long-term health of the series, as long as Lambert doesn’t drag things out in this regard. The closing pages of this novel bring in a new twist to the series that can help out with the overall arc(s), too.
So, what did I think about Teaching Moments?
It feels pretty uncharacteristic of me not to mention Max’s dog so far. Russ is one of those rescued at the end of Harvested and he’s become an important part of Max’s life. He’s a very good boy, and a canine I’m pleased to make the acquaintance of.
I don’t think I was as surprised at a lot of the serial killer story as the novel wanted me to be. That may be because I read too many things in this genre. It was well-executed and I don’t have any noteworthy negative things to say about it beyond I thought it wasn’t that unexpected. I don’t need to be shocked, I just want a good story, and that’s what Lambert delivered.
A solid PI novel is one of my favorite things in the world. Lambert’s Max Boucher novels are good examples of the genre. Yes, the setting and the central crime might not be common for the genre, but they work well in Lambert’s hands. I’m definitely looking forward to more of these, and recommend them to you. Even if you’re not looking for a series, Teaching Moments could work as a standalone. Either way, you should give this a shot.