#602 | 3 | 3 reads | |
#603 | 0 | 0 reads | |
#604 | 3.5 | 2 reads | |
#605 | Danke, Deutschland! Danke, Deutschland!: Von unser aller Glück, hier zu sein. Ein »Kanake« erzählt
| 0 | 0 reads |
#606 | 0 | 0 reads | |
#607 | 4 | 2 reads | |
#608 | 4.27 | 15 reads | |
#609 | 2.64 | 13 reads | |
#610 | Capitalisme gore Capitalisme gore
| 0 | 0 reads |
#611 | 3.67 | 11 reads | |
#612 | 0 | 0 reads | |
#613 | 0 | 0 reads | |
#614 | 4.04 | 58 reads | |
#615 | 4.33 | 4 reads | |
#616 | 3.81 | 47 reads | |
#617 | 0 | 0 reads | |
#618 | 3.6 | 5 reads | |
#619 | 3.88 | 11 reads | |
#620 | 0 | 0 reads | |
#621 | 4.09 | 16 reads | |
#622 | 4 | 9 reads | |
#623 | Mask Off Mask Off: Masculinity Redefined
| 5 | 1 read |
#624 | Deciding for Ourselves Deciding for Ourselves: The Promise of Direct Democracy | 0 | 0 reads |
#625 | 0 | 0 reads | |
#626 | 0 | 0 reads | |
#627 | 3.79 | 17 reads | |
#628 | 0 | 0 reads | |
#629 | 0 | 0 reads | |
#630 | 0 | 0 reads | |
#631 | 4 | 4 reads | |
#632 | 0 | 0 reads | |
#633 | 0 | 0 reads | |
#634 | 5 | 1 read | |
#635 | 3.2 | 13 reads | |
#636 | 0 | 0 reads | |
#637 | 0 | 0 reads | |
#638 | 4 | 1 read | |
#639 | 4 | 1 read | |
#640 | If Found, Return to Hell If Found, Return to Hell
| 4.5 | 5 reads |
#641 | 2 | 1 read | |
#642 | 4.18 | 15 reads | |
#643 | 3.6 | 5 reads | |
#644 | 3.42 | 29 reads | |
#645 | 0 | 0 reads | |
#646 | No God Like the Mother No God Like the Mother
| 0 | 0 reads |
#647 | 3 | 1 read | |
#648 | Repression und Rebellion Repression und Rebellion: Arabische Revolution – was nun?
| 0 | 0 reads |
#649 | 0 | 0 reads | |
#650 | 0 | 0 reads | |
#651 | Le parfum des fleurs la nuit Le parfum des fleurs la nuit
| 5 | 1 read |
#652 | 0 | 0 reads | |
#653 | The Free People's Village The Free People's Village
| 5 | 2 reads |
#654 | 3.96 | 33 reads | |
#655 | 3.33 | 3 reads | |
#656 | 3.78 | 92 reads | |
#657 | 0 | 0 reads | |
#658 | 3.81 | 48 reads | |
#659 | 3.42 | 73 reads | |
#660 | 3.6 | 6 reads | |
#661 | 0 | 0 reads | |
#662 | Counting on Marilyn Waring Counting on Marilyn Waring: New Advances in Feminist Economics
| 0 | 0 reads |
#663 | 0 | 0 reads | |
#664 | 4.62 | 17 reads | |
#665 | 0 | 0 reads | |
#666 | 4 | 1 read | |
#667 | 4 | 1 read | |
#668 | 5 | 1 read | |
#669 | 3.62 | 31 reads | |
#670 | 3 | 3 reads | |
#671 | 4.33 | 3 reads | |
#672 | 3.5 | 3 reads | |
#673 | 4 | 1 read | |
#674 | 4.5 | 2 reads | |
#675 | 3.84 | 23 reads | |
#676 | 0 | 0 reads | |
#677 | 3.51 | 89 reads | |
#678 | 0 | 0 reads | |
#679 | 0 | 0 reads | |
#680 | 4.5 | 3 reads | |
#681 | 0 | 0 reads | |
#682 | Amy Winehouse – In Her Words Amy Winehouse – In Her Words
| 0 | 1 read |
#683 | The History of Sketch Comedy The History of Sketch Comedy: A Journey through the Art and Craft of Humor
| 0 | 1 read |
#684 | 3 | 1 read | |
#685 | 4 | 2 reads | |
#686 | 2 | 1 read | |
#687 | Feminism and Nationalism in the Third World Feminism and Nationalism in the Third World
| 0 | 0 reads |
#688 | 0 | 0 reads | |
#689 | 4.4 | 6 reads |