| 4 |
| 4 |
| 3.07 |
| 3.78 |
Perfect days - Raphael Montes
- Alison Entrekin
| 3.6 |
| 3.58 |
| 2 |
| 4.49 |
Tomorrow, and Tomorrow, and Tomorrow | 4.15 |
| 4.04 |
Cleopatra and Frankenstein | 3.72 |
This Is How You Lose the Time War - Amal El-Mohtar
- Max Gladstone
| 3.89 |
| 3.67 |
Fish Swimming in Dappled Sunlight | 3.75 |
The Priory of the Orange Tree | 4.14 |
| 3.92 |
| 4.67 |
| 5 |
| 4.46 |
| 4.02 |
| 3.51 |
| 3.94 |
| 4.14 |
Tender Is the Flesh - Agustina Bazterrica
- Sarah Moses (Translator)
| 3.75 |
A Castle in the Clouds - Kerstin Gier
- Romy Fursland (Translator)
| 3.7 |
| 4.07 |
| 3.96 |
| 4.24 |
Under the Whispering Door | 4.1 |
| 3.13 |
| 4.19 |
| 0 |
| 3.78 |
| 3.5 |
Cultish: The Language of Fanaticism | 3.84 |
The Dictionary of Lost Words | 3.97 |
| 4.13 |
| 3.82 |
| 4.5 |
| 4.13 |
| 3.79 |
The Brain that Changes Itself: Stories of Personal Triumph from the Frontiers of Brain Science | 4.5 |
The Decagon House Murders | 3.62 |
| 4.14 |
| 3.72 |
| 3.72 |
| 0 |
| 4.33 |
| 3.8 |
| 3.86 |
| 3.97 |
The Houseguest and Other Stories | 3.93 |
No One Belongs Here More Than You | 3.56 |
Tonight I'm Someone Else: Essays | 4 |
| 3.5 |
| 4.15 |
| 4.13 |
Night Sky with Exit Wounds | 4.02 |
| 4.15 |
We Should All Be Feminists | 4.41 |
| 4.19 |
Someone Who Will Love You in All Your Damaged Glory | 3.93 |
The Anthropocene Reviewed | 4.38 |
| 3.7 |
The Secret Lives of Church Ladies | 3.98 |
| 5 |
| 4.27 |
| 4.12 |
Under the Light of the Italian Moon | 0 |
| 3.75 |
| 3.47 |
| 3.83 |
| 3.95 |
| 3.9 |
| 4.42 |
| 3.23 |
| 3.67 |
| 4.24 |
| 4.2 |
Do Not Say We Have Nothing | 3.93 |
The House in the Cerulean Sea | 4.28 |
Slouching Towards Bethlehem | 4.13 |
| 3.71 |
| 4.43 |
| 3 |
| 3.73 |
| 0 |
| 4.35 |
| 4.16 |
The Final Revival of Opal & Nev | 3.98 |
| 4 |
| 3.72 |
| 2.94 |
| 3.77 |
| 4.36 |
| 3 |
| 4.31 |
| 4.5 |
My Year of Rest and Relaxation | 3.78 |
| 3.86 |