I see interfaces. Interfaces are everywhere. They are simple, everyday, vital, like the doorknobs that let us use our apelike hands to manipulate the innards of a mechanical doorknobs. They are complex, obscure, ridiculous if we weren’t so dependent on them, like the computers simulating human users interacting with virtual mainframe programs from the 1980’s that operate critical pieces of our civic infrastructure. Pieces like banking, telecommunications, the military. The imposition of the interface of the interstate highway system on the landscape of the West unlocked it’s development. The imposition of the interface of the shipping container is a necessary condition of globalized trade.
In How To Do Nothing, Jenny Odell explored resisting the interfaces and attitudes that make up modern (Millennial?) productivity culture. Some of her exploration involved naming and questioning foundational assumptions of the culture, e.g. why is it considered better to create the new and disruptive rather than the restorative? Another line of exploration was the incursion of the capitalist profit motive into our private lives. In Saving Time, she expands another idea opened in How To Do Nothing: that clock time is an interface imposed on many different natural rhythms and cycles for the benefit of capitalist growth, and that there may be benefits to attuning ourselves to other ways of tracking time.
It’s a great idea, and Odell curates a wonderful selection of texts to give various angles on the idea. She repeats a structure that worked well in How To Do Nothing: meandering, collage-like texts, sometimes extended paraphrases of anecdotes from other writers or long quotations, wrapped in a repetitive and bland account of a Bay Area walk. I didn’t mind this style in her first book, but this time I wanted either more artful prose or more disciplined synthesis of ideas. After making it about halfway through the book, the easiest way for me to open up more time was to put the book down and seek a richer experience.
I’m still looking for a book with sharper thought about how to shrink the power of the clock time interface. What kind of cultural practices would it take for there to be a society-wide floor of rest and leisure like the Jewish Sabbath? Or to resist unnecessary 24-hour work schedules? Seasonality of food?
I see interfaces. Interfaces are everywhere. They are simple, everyday, vital, like the doorknobs that let us use our apelike hands to manipulate the innards of a mechanical doorknobs. They are complex, obscure, ridiculous if we weren’t so dependent on them, like the computers simulating human users interacting with virtual mainframe programs from the 1980’s that operate critical pieces of our civic infrastructure. Pieces like banking, telecommunications, the military. The imposition of the interface of the interstate highway system on the landscape of the West unlocked it’s development. The imposition of the interface of the shipping container is a necessary condition of globalized trade.
In How To Do Nothing, Jenny Odell explored resisting the interfaces and attitudes that make up modern (Millennial?) productivity culture. Some of her exploration involved naming and questioning foundational assumptions of the culture, e.g. why is it considered better to create the new and disruptive rather than the restorative? Another line of exploration was the incursion of the capitalist profit motive into our private lives. In Saving Time, she expands another idea opened in How To Do Nothing: that clock time is an interface imposed on many different natural rhythms and cycles for the benefit of capitalist growth, and that there may be benefits to attuning ourselves to other ways of tracking time.
It’s a great idea, and Odell curates a wonderful selection of texts to give various angles on the idea. She repeats a structure that worked well in How To Do Nothing: meandering, collage-like texts, sometimes extended paraphrases of anecdotes from other writers or long quotations, wrapped in a repetitive and bland account of a Bay Area walk. I didn’t mind this style in her first book, but this time I wanted either more artful prose or more disciplined synthesis of ideas. After making it about halfway through the book, the easiest way for me to open up more time was to put the book down and seek a richer experience.
I’m still looking for a book with sharper thought about how to shrink the power of the clock time interface. What kind of cultural practices would it take for there to be a society-wide floor of rest and leisure like the Jewish Sabbath? Or to resist unnecessary 24-hour work schedules? Seasonality of food?
What a great yarn! Excellent storytelling, with the kind of mundane, closely observed details of prison camp life that only comes by living it. It’s not perfect—it never quite lands on a consistent tone and swings between suspense and comic. Attitudes towards Asia span racist to patronizing, and always imperialistic, but that seems accurate.
What a great yarn! Excellent storytelling, with the kind of mundane, closely observed details of prison camp life that only comes by living it. It’s not perfect—it never quite lands on a consistent tone and swings between suspense and comic. Attitudes towards Asia span racist to patronizing, and always imperialistic, but that seems accurate.
Updated a reading goal:
Read 10 books by December 31, 2022
Progress so far: 9 / 10 90%
Updated a reading goal:
Read 10 books by December 31, 2022
Progress so far: 8 / 10 80%
Updated a reading goal:
Read 10 books by December 31, 2022
Progress so far: 0 / 10 0%