1928 | 4.15 | |
1950 | 4.02 | |
1924 | 3.39 | |
1982 | 3 | |
2000 | 3.69 | |
2005 | 4.19 | |
1967 | 4.09 | |
1975 | 5 | |
2004 | 5 | |
Kierkegaard Kierkegaard: Construction of the Aesthetic
| 1933 | 3 |
2017 | 0 | |
2004 | 4.75 | |
1851 | 3.66 | |
1985 | 4.66 | |
2022 | 4.17 | |
1954 | 0 | |
Spike, Mike, Slackers, & Dykes Spike, Mike, Slackers, & Dykes: A Guided Tour Across a Decade of American Independent Cinema
| 0 | |
Easy Riders, Raging Bulls Easy Riders, Raging Bulls: How the Sex-Drugs-and-Rock 'N' Roll Generation Saved Hollywood
| 0 | |
1988 | 0 | |
1983 | 5 | |
1958 | 3.59 | |
3.77 | ||
1992 | 4.25 | |
Transcendental Style in Film Transcendental Style in Film: Ozu, Bresson, Dreyer
| 0 | |
2022 | 4.24 | |
1984 | 3.86 | |
2012 | 4.26 | |
1961 | 5 | |
1951 | 3.59 | |
4.02 | ||
1994 | 5 | |
1996 | 4.59 | |
2020 | 4.19 | |
2004 | 0 | |
Pictures at a Revolution Pictures at a Revolution: Five Movies and the Birth of the New Hollywood
| 0 | |
1958 | 0 | |
1999 | 4 | |
4 | ||
1941 | 3 | |
1994 | 4 | |
181 | 3.83 | |
2014 | 4.2 | |
1958 | 5 | |
The Psychic Life of Power The Psychic Life of Power
| 1997 | 5 |
1976 | 3.75 | |
2009 | 4.54 | |
1864 | 3.89 | |
1997 | 4.17 | |
1954 | 3.91 | |
2000 | 0 | |
1920 | 3.72 | |
2018 | 4.06 | |
1949 | 5 | |
-800 | 3.81 | |
2017 | 3.74 | |
2015 | 3.98 | |
1955 | 3.36 | |
2001 | 3.85 | |
1719 | 3.41 | |
1815 | 3.94 | |
1605 | 3.82 | |
1849 | 3.87 | |
1830 | 4.27 | |
2008 | 4.19 | |
10 | 4 | |
2011 | 4.33 | |
1987 | 3.94 | |
1961 | 3.48 | |
2000 | 0 | |
19 | 4.28 | |
2010 | 3 | |
2013 | 4.17 | |
2021 | 3.57 | |
2009 | 4 | |
2010 | 3.5 | |
1972 | 3.94 | |
1897 | 3.86 | |
1894 | 4 | |
2006 | 3.9 | |
1968 | 4 | |
1979 | 4.08 | |
1985 | 3.2 | |
2 | ||
2015 | 4.04 | |
0 | ||
1929 | 3.79 | |
1938 | 4.07 | |
1967 | 4.3 | |
1954 | 4.57 | |
1916 | 3.57 | |
2019 | 0 | |
2007 | 3.89 | |
2019 | 3.44 | |
1914 | 3.88 | |
2000 | 3.85 | |
1881 | 4.67 | |
4.33 | ||
1968 | 3.85 | |
1920 | 3.9 | |
1981 | 4.06 |