Sean

Where the Water Goes is written as someone who doesn't know anything about the Colorado River going on a source-to-sea trip and learning the basics of an incredibly complex network of legal, social, and environmental factors dictating how water is supplied to essentially the entire southwestern US. It did an excellent job explaining everything the author saw on his trip, however, I went into the book with a solid understanding of the majority of these systems already and so didn't gain as much from it as I would have. If you're at all interested in learning about the Colorado River, this is definitely a good place to start and will make you want to know even more.

Warbreaker is such an interesting book with so many classic Sanderson elements, but just doesn’t quite put them all together as effectively as a lot of his other works do. The worldbuilding is incredible as always. It’s almost mistbornesque in that it’s urban based, with gangs of thieves and mercenaries, as well as an extremely powerful religious group running the show while leaving the commoners in the dark. Where it differs from mistborn is the colors. Mistborn is dark and grimy with ash falling nonstop and general despair, while Warbreaker is full of life with splashes of color all over the place and the people prioritizing leisure and entertainment even during their struggles.

Perhaps my problem with this book stems from false expectations. I thought it was going to be the story of Vasher creating Nightblood, or at the very least centered on those two, but they were auxiliary characters who played massively important roles, especially at the end of the book, but I’m left with more questions about them and even more desire to know their full story. That’s not to say that Vivenna and Siri are not interesting characters. The dichotomy and role switch between the sisters is an excellent plot. I just felt more drawn to Vasher’s story.

Lastly, how the hell is there not a sequel to this book. The sanderlanche was all about setting it up for future adventures, which was frustrating because there aren’t any yet and it made the events at the end of the book feel less impactful than they should have.

I didn’t realize the power of Babel until the last fifty or so pages, but then it all clicked for me. The story wasn’t really about the characters themselves, rather the imperialist system they found themselves in. Using a magic system based on translation was a stroke of genius when it came to enforcing the message of the book. Language is the backbone of cultural identity, so to weaponize it as silver does, using a cultures own words to oppress them, was incredibly effective. Rf Kuang was not subtle in communicating the themes in this book, but maybe that was the point. There isn’t subtlety to the impacts of colonialism so why pretend that the book is about anything else. I do wish she’d spent more time building up the characters, especially as we get to know them in their formative years at Babel. I felt like I was being told about the bonds between the four main characters more than I was seeing them develop naturally. That led to a frustrating first half of the book, but from the trip to Canton onwards a switch was flipped. This is a book I think everyone should read at some point, I certainly am glad I gave it a second try.

A World on the Wing dives deep into the world of migratory bird research through ten poignant stories. In reading this book, I learned about the pure endurance required of migratory birds to complete the jaw dropping migrations they undertake, the challenges of actually doing the research, and, most impactful, the risks posed to migrants who rely on climatological signals across the globe in a rapidly changing world. There is still so much unknown about the lives of migratory birds, this gave me a peek behind the door, and made me even more interested in what the full story might be.

I have never been and likely never will be more excited for a book than I was for wind and truth. There is very little Brando could have written that would have made this book less than a five star read for me. That being said, wind and truth earned that rating. The character work is as impeccable as ever. From adolin defining his own role in a changing society and, in doing so, catapulting himself, briefly, to the top spot on my favorite characters list. To kaladins incredible, emotional journey that began on the edge of a chasm way back in the way of kings culminating with some of the deepest, most inspiring moments I’ve ever read. And everyone else in between who faced and were able to overcome their personal challenges in this book. Tears were flowing many times in this one. The entire series was always about these characters more than any overarching plot and wind and truth dove into that even more(although the plot is very much there, and also great).

It’s not a perfect book. I wish he had stuck with classic parts rather than each day being its own. Whereas the earlier books build to a mini climax at the end of each part, some days felt a little flat and I think could have been combined while sticking to the ten day timeline for greater impact in the middle of the book. My only other criticism is that I wished we had more sections like day one where it was just kaladin and shallan. As more and more povs get added, the impact reduces slightly and ultimately there are about five characters I consistently want to hear from and know the inner workings of their minds, leaving more mystery around less important characters and their motivations.

Overall, I leave the storm light archive feeling fulfilled. This series was solely responsible for reintroducing me to the beauty of reading two years ago. I love each and every one of the characters for different reasons and it will be a long seven to ten years without hearing from them or knowing if I’ll ever see some again, but I know it will be worth the wait.