100 Places to See After You Die
Ratings1
Average rating4.5
15
Ratings1
Average rating4.5
"100 Places to See After You Die is written in the style of iconic bestselling travel guides. But instead of recommending must-see destinations in Mexico, Thailand, or Rome, this book outlines journeys through the afterlife, as dreamed up over the past 5,000 years of human history by our greatest prophets, poets, mystics, artists, and TV showrunners. Where's the best place to grab a bite to eat in the ancient Egyptian underworld? Which circles of Dante's Inferno have the nicest accommodations? How does one dress like a local in the heavenly palace of Hinduism's Lord Vishnu, or avoid the flesh-eating river serpents in the Klingon afterlife? What are the hidden treasures to be found off the beaten path in Hades, Valhalla, or NBC's The Good Place? This book answers all those questions and more about the world(s) to come. The destiny of the human soul in the great beyond is one of life's deepest mysteries. But you won't have to wonder anymore! 100 Places to See After You Die comprehensively indexes one hundred different afterlife destinations, exhaustively researched from sources ranging from the Epic of Gilgamesh to modern-day pop songs, video games, and Simpsons episodes. Be ready for whatever post-mortal destiny awaits, whether you're hoping for the astral plane, a Hieronymus Bosch hellscape, or the baseball diamond from Field of Dreams. This is one trip no one should leave to chance. Most vacation sojourns are brief, but this destination could be your eternal resting place!"--
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Ken Jennings provides a handy tour guide through one hundred visions of the afterlife for the modern reader. Complete with tips on places to see, areas to avoid, local lingo, bits of trivia, dining tips, and so on, it’s just the kind of thing you’re going to want to peruse before you shuffle off this mortal coil, so you know where to go.
The book is broken down into: Mythology, Religion, Books, Movies, Music and Theater, and Miscellaneous. Then (alphabetically) Jennings looks at a variety of afterlife locales in each category.
For example, the Books section covers:
Aslan’s Country • The Bridge • The Cemetery • The Empyrean • The Five Lessons • Half-Life • The Inbetween • Inferno • The Kingdom • King’s Cross • Mansoul • The Null • Pandemonium • Paradiso • The Parish • Purgatorio • Riverworld • The Third Sphere • The Time Bubble • The Undying Lands • The Valley of the Shadow of Life*
* From Lewis’ The Chronicles of Narnia and The Great Divorce; O’Connor’s story “Revelation”; Saunders’ Lincoln in the Bardo; Milton’s Paradise Lost; Albom’s The Five People You Meet in Heaven; Dick’s Ubik; Sebold’s The Lovely Bones; Dante’s The Divine Comedy; Twain’s “Captain Stormfield’s Visit to Heaven”; Rowling’s Harry Potter; Moore’s Jerusalem; King’s Revival; O’Brien/O’Nolan’s The Third Policeman; Farmer’s Riverworld; Matheson’s What Dreams May Come; Oliver’s The Time Bubble; and Tolkien’s The Lord of the Rings.
Jennings describes each place with wit, humor, Dad Jokes, puns, irreverence, and plenty of facts.
It’s one thing to talk about places like Valhalla, Hades, The Bad Place, Bill & Ted’s Bogus destination, or Futurama‘s Robot Hell in a light-hearted or flippant fashion. It’s an entirely different can of worms to discuss the LDS Three Kingdoms of Glory, Jannah, Jahannam, Ariel Toll Houses/Telonia, and so on—in the same tone.
I will not say that Jennings was able to fully succeed in discussing the afterlives described in some major religions in an unoffensive manner. Primarily because I’m not an adherent of any of the religions he discussed, so my tolerance for that is really high. Had he tackled something I believe in, I very well could’ve been at risk of insult.
That said, I think he did okay. Yes, he walks close to irreverent. But he maintains a decent degree of respect. The humor largely comes from the way he describes the beliefs not at the expense of an article of faith.
Still, some people might want to skip over a chapter or two if they’re worried about getting their toes stepped on. (but those people probably aren’t going to be reading this book in the first place)
Ohhh, there are just so many.
The Books section was my favorite—followed closely by Movies and Television—this is the kind of thing I blog about, think about, and so on, so it makes sense that those sections resonated with me most. The Books section, in particular, discussed portions of those works in ways I could really sink my teeth into.
But there were multiple highlights in each section—I learned a lot about D&D, I couldn’t help singing “Ghost Riders in the Sky” during that chapter, I think he pointed out a good plot hole in It’s a Wonderful Life (I don’t know, maybe he’s not the first), I loved the discussion of Bosch’s paintings, and so on.
The chapter on The Good Life was fantastic—a great systemization of the series’ take on the afterlife (and several characters). The chapter on Nirvana was sublime.
Books, movies, mythologies, songs, etc. that I’ve never heard of, much less, read/watched/listened to/studied were described in enough detail that I could appreciate those chapters and maybe even develop an interest in following up on.
Um. Hold on, I’ll think of something.
…
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oh! Here’s a problem: the eARC came with the typical “don’t quote from this version until verified by the published edition” warning—but it was more pronounced than usual. I really want to use samples throughout this post, but I can’t. (and I wouldn’t have even without this warning, because I know things get tweaked in the final stages).
Actually, I do have a legitimate gripe. There are no footnotes—or even endnotes*—for anything that Jennings says. Most of what the book contains could fall into the category of “General Knowledge” (at least for people who know anything about The Good Place, Dante, or the religion of the Maori). But I wouldn’t have minded a point in the right direction to learn some more details, context, or background on many, many, many things Jennings wrote about.
* It’s been decades since I haven’t asked why a book uses endnotes when footnotes exist, and yet I’d have liked to have them in this book more than the nothing we got. That’s how much this bothers me.
Given the argument of Planet Funny: How Comedy Took Over Our Culture by Ken Jennings, I wonder about his approach to the subject of the afterlife. Sure, even Planet Funny was frequently funny as it critiqued the overuse of humor in our culture, but for his next book to take this tone, seems to undercut the work.
Or maybe it just shows that even as he can look with clear eyes at some of the weaknesses of our culture, he’s part of it and is subject to the influences. It’s almost like he’s human.
This section is going to be shorter than usual because I think I’ve pretty much answered the question already.
From the “throwaway lines” to the big ideas, this was a delight from start to finish. I thoroughly enjoyed this approach to the subjects—quick hits that tell you the essentials and make you smile while telling them.
Jennings' style is one I aspire to, and can’t say enough good things about.
I can’t think of a reason not to give this 5 Stars, but my gut tells me not to. So I’ll knock it down to 4 1/2 (which isn’t a big deal since Goodreads, NetGalley, etc. won’t let me use 1/2 stars, I’ll round up). It’s educational, it’s entertaining, and it’s thought-provoking. You can’t go wrong with this.
Originally posted at irresponsiblereader.com.
