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Most people were blissfully unaware that England was overrun by dragons. Only those born with preternatural hearing could hear and converse with dragonkind, and even those rarely came into their hearing before they were fifteen. It was not Elizabeth's fault that she discovered the truth about dragons when she was only four years-old. It was also not Elizabeth's fault that the old tatzelwurm, Rumblkins, who lived in the woods near Longbourn House befriended her. Really, he would have attached himself to anyone who fed him dried cod and scratched behind his ears.So clearly, it could not be her fault when Rumblkins led her to a nest of endangered fairy dragon eggs that the Pendragon Treaty compelled her to save. Unfortunately her father does not agree.Thomas Bennet, dragon-lore expert, faithful member of the dragon-hearing society, the Blue Order, and Keeper of the local wyvern, Longbourn, has a dragon-sized problem on his hands. At eleven years-old, his second-oldest daughter is hopelessly fascinated with all things dragon-related. But his wife and other daughters lack the ability to hear dragons, so the world of the Blue Order must remain hidden from them. Now faced with an abandoned clutch of fairy dragon eggs to care for, the careful balance he walks between the needs of his jealous estate dragon, Elizabeth's incorrigible draw toward dragons and continued secrecy from the rest of the family hangs in jeopardy. If only Elizabeth would be a more conventional child But how can a girl who shuns traditional ladylike pursuits to play with dragons ever be conventional? Does dragon-hearing society have a place for such an oddity as her?Prequel to Pemberley: Mr. Darcy's DragonJane Austen meets Anne McCaffrey--a must for lovers of Dragon Riders of Pern
Featured Series
5 primary booksJane Austen's Dragons is a 5-book series with 12 primary works first released in 2016 with contributions by Maria Grace.
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Meet the young Elizabeth Bennet and enter her world of Dragons
This is book four of Maria Grace's Jane Austen's Dragons series. Although released fourth, as a flashback to events occurring in the first three books, it would be ideal to read first. It combines a Pride and Prejudice variation, with fantasy about dragons. It will appeal to both JAFF readers and fans of fantasy.
The series starts in Georgian England, where dragons and people live side by side. However, most people are entirely unaware. Only those with preternatural hearing can perceive them.
All others are “dragon deaf”. To them, dragons appear as cats, birds or other creatures, their perception influenced by the dragons, to allow them to blend in and hide in plain sight.
The ability to hear dragons, usually manifests at around fifteen, at which point induction into the Blue Order is mandatory. The Blue Order controls the world of Dragons and those who interact with them.
Elizabeth Bennet is very special. She started to hear and talk to dragons from the age of four. When we meet her, she is eleven and being introduced to working with dragons, by her grumpy, traditionalist father, Thomas Bennet. He is the Keeper of Longbourn, the dragon. This means he is somewhat like a steward, to the dragon that owns the Longbourn estate.
Elizabeth is drawn to dragons and they to her. Her easy relationships and instinctive knowledge of how best to interact with dragons, vexes her father. He does not think her behaviour proper or as expected by the Blue Order. He will not admit it, but he is jealous of her skills.
We follow the story from Elizabeth's POV, seeing her delight in her new dragon friends and her unhappiness at some of her father's action and attitudes. Will she be prepared for what is to come?
The story focusses on Elizabeth, Mr Bennet and the many dragons. Although the rest of the Bennets are included, they are rather peripheral. Mr Bennet is very much the traditionist curmudgeon. In Elizabeth, we can see the feisty, fearless woman we know Elizabeth Bennet will become. The dragon characters are well drawn and engaging.
This whole series is narrated by Benjamin Fife. His narration is very good, his voice warm and pleasing to listen to. His female voices are convincing and his dragon voices are excellent.
This is a delightful story. It is well paced and comes to a satisfying conclusion. I would recommend it to all fans of JAFF and fantasy, including younger readers.
I look forward to more stories by Maria Grace.
I received a free copy of this audiobook via StoryOrigin and am voluntarily leaving a review. All views expressed are my own.