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Average rating3
While in Copenhagen, Sara Wheeler, a Toronto journalist, happens upon Cirkus Mirak, a touring Ethiopian children's circus. She later meets and is convinced to drive the circus founder, Raymond Renaud, through the night from Toronto to Montreal. Such chance beginnings lead to later fateful encounters, as renowned novelist Catherine Bush artfully confronts the destructive power of allegations. With Accusation, Bush again proves herself one of Canada's finest authors as she examines the impossibility inherent in attempting to uncover "the truth." After a friend of Sara's begins work on a documentary about the circus, unsettling charges begin to float to the surface, disturbing tales of sexual and physical abuse at the hands of Raymond. Accounts and anecdotes mount, denunciations fly, and while Sara tries to untangle the narrative knots and determine what to believe, the concept of a singular (truth) becomes slippery. Her present search is simultaneously haunted by her past. Moving between Canada, Ethiopia, and Australia, Accusation follows a network of lives that intersect with life-altering consequence, painfully revealing that the best of intentions can still lead to disaster, yet from disaster spring seeds of renewal and hope.
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Accused of something, others must consider the possibility that you are guilty and hold that idea in their thoughts. It could be as simple as a wallet stolen from a gym locker or as grim as vague accusations of abuse. Innocent until proven guilty, but accusations carry immense weight.
The book is filled with ambiguity. Our narrator is having an affair with a married man, his wife battling cancer - does that color our perception of her? The whistleblower that uncovers a paedophila ring is an entirely unlikeable person. The accusers have motive to play up their accusations and the accused seems motivated by entirely altruistic ideals.
Lots of ideas here rendered subtly but I found my focus wandering with the narrative.