Armed In Her Fashion
Ratings3
Average rating4.3
15
Ratings3
Average rating4.3
“Heartfield’s impressive novel tells the story of folklore figure Mad Meg (or Dull Gret), who legendarily led a group of women to pillage hell” (Publishers Weekly, starred review). In 1328, Bruges is under siege by the Chatelaine of Hell and her army of chimeras—humans mixed with animals or armor, forged in the deep fires of the Hellbeast. At night, revenants crawl over the walls and bring plague and grief to this city of widows. Margriet de Vos learns she’s a widow herself when her good-for-nothing husband comes home dead from the war. He didn’t come back for her—in fact he moves right past her, pulls a secret chest of coins and weapons from under his floorboards, and goes back through the mouth of the beast called Hell. Margriet killed her first soldier when she was eleven, and she’s buried six of her seven children. She’ll do anything for Beatrix, her last surviving child, even if it means raiding Hell itself to get her inheritance back. Beatrix is haunted by a dead husband of her own, and blessed—or cursed—with an enchanted distaff that allows her to control the revenants and see the future. Together with a transgender man-at-arms who has unfinished business with the Chatelaine, a traumatized widow with a giant water-powered forge-hammer at her disposal, and a wealthy alderman’s wife who escapes Bruges with her children, Margriet and Beatrix forge a raiding party like Hell has never seen. “A strange, compelling, genre-bending debut . . . Part horror, part fantasy, part history, and part epic, it combines all of its elements into a commentary on gender, power, and patriarchy.” —Tor.com
Reviews with the most likes.
Pros: very feisty women, lots of history, clever integration of the hellbeast
Cons: writing was a little dry at times
When her revenant husband returns to the besieged city of Bruges and reveals he's hidden a fortune, Margriet de Vos demands her rights: a third of that wealth belongs to her, the rest to their daughter. Her husband now serves the Chatelaine of Hell, and intends to give her this gold. But Margriet won't be deterred. Neither war, the King of France, nor Hell itself will keep her from getting her due.
Meanwhile, Claude a transgender man-at-arms and former guest of the Hellbeast also wants the de Vos treasure, or rather, a mace he unwisely sold to Margriet's husband and now needs back.
The story is mostly told from Margriet's point of view, though there are a few scenes from her daughter and Claude's viewpoints as well. Margriet is very feisty, willing to fight over a sou if she feels she's owed it. Her daughter's much kinder but has little agency, as her mother's overprotective and often overbearing. Margriet supported the family by working as a wet nurse, which isn't something that comes up often, though historically it was a common thing. It was also nice seeing a middle aged woman as the protagonist, especially one who is near-sighted in an age where glasses can only be afforded by the elite.
Claude was a great character. It's awesome to see often overlooked people in history and, while misgendered through a good part of the story, the author always maintains his understanding of who he really is. Though they were short scenes, I really enjoyed the revelations regarding aspects of womanhood he's missed (like breast binding) and how he survived in a soldier's camp.
The author cleverly integrated her mythological aspects into actual history. At the end of the book she cites a Flemish painting that was her inspiration for the book, and it added an entire new layer to the story itself.
The writing can be a bit dry at times, in that it's not a particularly fast paced or adventurous tale. There's a lot of sitting around and talking or walking between cities.
If you like medieval history or want a historical fantasy that's different from the norm, this is an interesting read.
