Cover 8

Blood Trail

2008

Ratings2

Average rating4.5

15

This originally appeared at The Irresponsible Reader.

WHAT'S BLOOD TRAIL ABOUT?
Since Governor Rulon re-hired Joe Pickett and made him sort of a Game Warden-at-Large, his life has improved—he and Marybeth have their own home, no longer living in State housing, or at his father-in-law's. Nor is he really as subject to the whims of Randy Pope, his director. But there's a price to be paid for this: he's pretty much at Rulon's beck and call.

This time, thankfully, he's called to his former territory—a hunter has been found dead. It's the beginning of Elk Season, so it's not that surprising. But...this isn't your typical dead hunter. This man has been shot and field dressed like an elk. Joe's garnered a reputation for stumbling into a solution for things like this, and Rulon needs that quickly—people are getting antsy about the killings and pressure is mounting to cancel Elk Season (which would have horrible consequences on Wyoming's economy). Joe's been named to a task force with the FBI, and the local sheriff. Not only are they out to preserve hunting season, but they also need to head off a mounting anti-hunting protest movement that is taking advantage of this situation.

Randy Pope decides that this is important enough that he comes to supervise Joe personally—and takes an oddly active and proactive role in fieldwork (which no one has ever accused him of being fit for). I don't know about anyone else who reads this series, but there isn't a time that Randy Pope has been around when I haven't wanted Joe to punch him in the nose (or Marybeth, or Sheridan even), and that's taken to the nth degree for most of this book.

So not only does Joe have to find a killer (not really his job, ubt he seems good at it) for political and social reasons, he has to put up with antagonism from local law enforcement who resent his role, get micromanaged by an officious twerp who is even less suited for this than he is, and he ends up having to deal with two individuals from his past that he'd rather expected never to have to deal with again over the course of the investigation. I'm not going to identify these people, but neither Joe or Marybeth are prepared to have them in their lives again, frankly, I wasn't ready either.

WE SHOULD TALK ABOUT NATE
I get into a spoiler in a vague way here. Feel free to skip to the next header.

For various and sundry spoilery reasons, Joe decides that he needs Nate Romanowski's tracking help. Now, Nate's been in FBI custody for a few months, ever since the FBI double-crossed Joe at the end of Free Fire. Given the urgent nature of things, Rulon is able to finagle a release into Joe's custody.

And then Nate ditches Joe for days. Joe, the good friend, covers for him (he's also covering for himself and his own ability to maintain custody). Sure, he ultimately comes back and pitches in. But it's pretty clear he didn't need that much time to do his thing—I get that Nate has his own way of working and that Nate isn't that terribly concerned with people who aren't him (what does he care if someone's killing hunters?)—but he should care about his friend and the deal that got him out of custody, right?

I lost a lot of sympathy for Nate here. And a good deal for Joe, too, later in the book when it comes to Nate.

A LOW-STAKES ANTAGONIST
Now that Joe lives in town, in a normal house with a yard and no need to consult a government budget officer for upkeep on his home, it falls to Joe to take care of things. He has a neighbor now (I forget his name, one of the hazards of audiobooks is that I can't look it up easily). This man is retired and is far too concerned with his own yard and upkeep, and carries that over to Joe's.

We don't spend a lot of time with him, but it's easy to see that he's a burr in Joe's side—a constant problem, a constant annoyance. Sure, Joe's off working for the governor and trying to stop a killer, but surely he could take the time to mow his lawn, like a decent citizen.

This book needed a little lightness, and this crank delivers it.

A WORD ABOUT THE NARRATION
At this point, I really don't know what to say about David Chandler, he's great at this.

However, ,I have one thing to say. For most of the book, I assumed the killer was one of two people. And despite the fact that we get the killer's POV frequently, it was still pretty unclear which one of the two it was (assuming I was right). Until about halfway through in one scene, Chandler makes 1 choice when he reads one line. And we “hear” the character in a voice Chandler would use for that character, not just the generic Killer's POV voice he'd been using throughout. And then I knew exactly who it was.

I understand why he made that choice. But, man. It ruined things a little bit for me.

SO, WHAT DID I THINK ABOUT BLOOD TRAIL?
This was, hands down, my favorite entry in the series. The tension, the huge character events, the motive for the crime, and the way it ended...I can't explain all my reasoning without ruining the novel.

But man...this is the standard I'll be judging books in this series by. Is it going to be that impactful for new readers? No, but it would work as a jumping-on point if you're not in the mood to read the seven previous books.

Blood Trail is a great entry in this solid series, with entries like this, it's easy to see why it's lasted for twenty-one (so far) books. Check it out.






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