Burning Bright
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New York Times bestselling and award-winning author Ron Rash is "a storyteller of the highest rank" (Jeffrey Lent) and has won comparisons to John Steinbeck, Cormac McCarthy, and Gabriel Garcia Marquez. It is rare that an author can capture the complexities of a place as though it were a person, and rarer still that one can reveal a land as dichotomous and fractious as Appalachia—a muse; a siren; a rugged, brutal landscape of exceptional beauty, promise, and suffering—with the honesty and precision of a photograph. "If you haven't heard of the Southern writer Ron Rash, it is time you should" (The Plain Dealer).In Burning Bright, the stories span the years from the Civil War to the present day, and Rash's historical and modern settings are sewn together in a hauntingly beautiful patchwork of suspense and myth, populated by raw and unforgettable characters mined from the landscape of Appalachia. In "Back of Beyond," a pawnshop owner who profits from the stolen...
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Many of these stories had a harsh element, that lingered in my mind a lot longer than most short stories.
My boss has been telling me for months to read Ron Rash and I am ashamed to say that I grabbed Burning Bright the other day because I was drawn to the cover. It's true, he's amazing. There were a couple of stories where he could have added a supernatural element, but didn't and coming from the parts of the stacks where I usually pull my fiction from that was disappointing, but other than that, I am hooked on Ron Rash.
The ones that hit me the hardest: Hard Times, Lincolnites, The Ascent
The ones I felt needed a supernatural element: Corpse Bird and Into the Gorge
I will be picking up more of Mr. Rash's work when I get to work on Monday.
Dang, Ron Rash can write! These hard scrabble stories are filled with people facing hardships and bad vs. worse choices in a land not filled with plenty, but American as all get out.
Short stories are difficult, in my opinion. The author must economize, must build suspense and weave tapestries in a handful of pages, leaving you with an incomplete arc that somehow leaves your belly full. At around 200 pages, this collection does just that.
One hallmark of a great writer is an ear for how people speak, and Mr. Rash does an excellent job of that. For ten years, I lived about an hour from Asheville in the foothills of the Blue Ridge Mountains and the pages of “Burning Bright” contained voices I've heard.
All of the stories are worth a gander, but my favorites are “Hard Times” (a real doozy), “The Corpse Bird” (I found superstition far more rampant in the South than in Yankeekland), “Lincolnites,” and the superlative “The Woman Who Believed in Jaguars.” I hate to say too much about each one because you ought to just read it.
