Cinderella Is Dead

Oh I aggressively love the decision to situate this within the concept of Cinderella. I'm a fan of fairy tales being twisted around and told in a new way already, but like. Very much enjoyed that. I felt echoes of The Selection series, of course, but more aggressive and justified not just by tradition, this is how it's always been, but almost by religion, if you can consider the worship of Cinderella and her story to be that. It did take a bit to get off the ground-I feel like tdd he author was trying to make it Very Clear that our girl had no other option than to leave her friend behind, by giving us like three repetitions of ‘Come away with me, to be free and gay!' ‘No, we can't, we mustn't!'

Also, gay, I do appreciate the gay.

More of a 3.5 but I'm rounding up.

CW: domestic violence, implied animal death

I was excited to read a Cinderella retelling by a Black author and even more when I got the ARC for it, but just when I planned to read the book, I fell into a horrible slump and it's taken me this long to pick it back up again. And I'm glad I did.

This book was very easy to read and extremely fast paced, because the complete plot occurs in just a matter of weeks. I breezed through it in just a few hours and it was just the kind of thing I was in the mood for at the time. However, due to these factors and also this being a standalone, I felt that we didn't get to know more about the world itself this story is set in. The deconstruction of the fairytale of Cinderella itself was quite interesting because I've never seen something like this, but other than that we don't get to see much of this world at all. The events in the story also kept happening at such a pace that there was no breathing room, and I guess I also felt things were too convenient.

I liked our main character Sophia for wanting a better life for herself outside of the constraints the world forces on her, but she was also impulsive and didn't always think before diving headfirst into whatever she wants to do. I'm still not sure how I felt about her relationship with Erin because I thought there was too much of the two girls trying to force their opinion on each other. Constance was a character who did have some very interesting backstory, and I liked getting to know about her history and how she is trying to keep her family legacy alive, but she didn't have a POV so I didn't feel like I got to know her enough.

I have never had a problem with the instalove trope, especially in YA because I don't find it unrealistic. In this story, the affections transfer from one girl to the other in such a quick time that I wasn't convinced, but I did enjoy the couple who ended up being together.

There are quite a lot of side characters but the only one who left any impression was the fairy godmother. In this whole retelling of the fairytale, I think the way her individual story was changed and her character arc developed was both thrilling and unexpected. In a fairly predictable book, I think it was the only twist that made me go wow. The main villain and most of the male characters were vile and abusive while most of the women seemed to have given up and accustomed to their oppressed fate.

As the book was marketed very accurately, this is a story about young Black women teaming up to bring down the patriarchy. And the book definitely delivers on this point. And I could see the point about how a charming leader can use his behavior/actions over the course of time to change the belief systems of an entire population, and let half of them be grateful for their oppression in exchange for security. I can totally see certain parallels to our real world and it could have worked as a cautionary tale - but I think the short length of the story prevented it from being a strong exploration of the themes of patriarchy, misogyny, domestic violence. And while I really appreciated the message of female empowerment and necessity of the dismantling of systems built by patriarchy, they were a tad superficial in execution.

In the end, this was a very unique and fresh take on the Cinderella fairytale, while also tackling important issues. It has a sweet sapphic romance and a very fast paced narrative which makes for an easy and compelling read, especially if you are not in the mood for an intense epic fantasy. I just think it would have been even better as a series, so that the characters and world could have been fleshed out - the standalone format ultimately feels like a disservice to an otherwise important story.

TW: abuse, arranged marriages, death, homophobia, misogyny, human trafficking

Thank you to Bloomsbury YA and Netgalley for providing me with an arc for review.

“Money, power, class, all those things come into play, but the founding tenet of our laws is that women, no matter their standing, are at the mercy of the fickle whims of men.”

Cinderella is Dead is a powerful take on a classic tale.

Sophia is sixteen year old who has questioned the way her world operates and how women within the kingdom do not have any of their own agency. As the story escalates Sophia learns the truth of how the rules came to be. Bayron is very direct towards the horrendous treatment towards women and all the ways that it can manifest. It was a little on the nose at times but that's honestly just a thing that happens in YA.

I really did enjoy this story. Much darker than I anticipated but that does not bother me that much. We got a story of queer teenage girls saying fuck the patriarchy. Another thing that I liked is that this isn't a story that takes place over 3 days. The feelings that they have for each other are something that blossom over time. I read this in about two days just because I couldn't wait to see how the heck this book was going to end.