Ratings138
Average rating4
★ ★ ★ 1/2 (rounded up)
This originally appeared at The Irresponsible Reader.
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WHAT'S FINLAY DONOVAN IS KILLING IT ABOUT?
Finlay Donovan is a writer of romantic crime novels who is struggling to meet her deadline—that's not true, she's so late that her publisher is on the verge of demanding a return of her advance.
What's caused her to get behind is turmoil and upheaval in her life—she's in the middle of a messy divorce, she has almost no money for rent (paid to her soon-to-be-ex to live in their house), food, or gas. Her husband's lawyer is gearing up to wrest custody of their kids from her. This has shot her confidence, her trust in herself, and her ability to focus on anything.
So, she's in a Panara, meeting her long-suffering agent, trying to get a little more time for the overdue novel, and is overheard by someone at a nearby table. This woman is convinced that Finlay is describing a contract killing and offers her a good sum of money to kill her husband.
Finlay doesn't want to take the job—because she's not a monster—but is curious about the husband, does a little research on him, and then arranges to meet him. Shortly thereafter, he's killed. Finlay and her kids' nanny, Vero, dispose of the body (to keep from having to answer uncomfortable questions).
Finlay soon has a guilty conscience, a healthy dose of paranoia, a nice stack of money, a referral for another job, and (most importantly) a plot for her new novel. She and Vero form an alliance to deal with it all—and, well, things go nuts from there.
HOW WAS THE NARRATION?
Angela Dawe's narration was solid—she captured the comedic sense of the novel along with the tension and emotional moments. There were a few accents involved and she did a believable job with them, too. This book really was a balancing act between the various tones and characters, and Dawe dealt with it admirably.
SO, WHAT DID I THINK ABOUT FINLAY DONOVAN IS KILLING IT?
I really don't have a lot to say about this one, as much as I've tried. It's a clever idea and it was executed well. I think the pacing could've been a bit tighter—it seemed like there was a good amount of wheel spinning at the end of the second act/beginning of the third. Not enough to turn me off of the book, but enough to make me impatient.
This is a good mix of suspense, quirky humor, and a dash of romance. I enjoyed the characters and situations. I'm pretty curious about where the second book is going to take the characters and hopefully answer a couple of lingering questions I have. For example: why was Vero so willing to throw her lot in with Finlay and jump into this life of crime (or a life adjacent to crime)?
It's a fun ride, you should give it a whirl.