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A selection of essays on writing and reading by the master short-fiction writer Lydia Davis Lydia Davis is a writer whose originality, influence, and wit are beyond compare. Jonathan Franzen has called her “a magician of self-consciousness,” while Rick Moody hails her as "the best prose stylist in America." And for Claire Messud, “Davis's signal gift is to make us feel alive.” Best known for her masterful short stories and translations, Davis’s gifts extend equally to her nonfiction. In Essays One, Davis has, for the first time, gathered a selection of essays, commentaries, and lectures composed over the past five decades. In this first of two volumes, her subjects range from her earliest influences to her favorite short stories, from John Ashbery’s translation of Rimbaud to Alan Cote’s painting, and from the Shepherd’s Psalm to early tourist photographs. On display is the development and range of one of the sharpest, most capacious minds writing today.
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This was an absolutely fantastic collection of essays. I mostly know Davis for her short stories, but it was great to get a better understanding of her life and work through these non-fiction pieces. My favorites were the “Forms and Influences” essays, four in total, which discuss her methods and the other writers she's read over the years. Because her stories are so short, there are a couple of instances where she was able to include several versions of the same story in its entirety in order to show its evolution, which provided some great insight into her process. I was less thrilled with some of her essays on visual artists, but even they were worthwhile reads simply for showing the breadth of her writings. I can't wait for volume two, which I believe will focus on her work as a translator.