Ratings316
Average rating4
Vast legions of gods, mages, humans, dragons and all manner of creatures play out the fate of the Malazan Empire in this first book in a major epic fantasy series
The Malazan Empire simmers with discontent, bled dry by interminable warfare, bitter infighting and bloody confrontations with the formidable Anomander Rake and his Tiste Andii, ancient and implacable sorcerers. Even the imperial legions, long inured to the bloodshed, yearn for some respite. Yet Empress Laseen's rule remains absolute, enforced by her dread Claw assassins.
For Sergeant Whiskeyjack and his squad of Bridgeburners, and for Tattersail, surviving cadre mage of the Second Legion, the aftermath of the siege of Pale should have been a time to mourn the many dead. But Darujhistan, last of the Free Cities of Genabackis, yet holds out. It is to this ancient citadel that Laseen turns her predatory gaze.
However, it would appear that the Empire is not alone in this great game. Sinister, shadowbound forces are gathering as the gods themselves prepare to play their hand...
Conceived and written on a panoramic scale, Gardens of the Moon is epic fantasy of the highest order--an enthralling adventure by an outstanding new voice.
Series
10 primary booksMalazan Book of the Fallen is a 10-book series with 10 primary works first released in 1999 with contributions by Steven Erikson.
Series
16 primary books37 released booksMalazan is a 37-book series with 16 primary works first released in 1999 with contributions by Steven Erikson, Ian Cameron Esslemont, and Ian C. Esslemont.
Reviews with the most likes.
This series is famous, or infamous, among fantasy fans.
It is said that these books are difficult, and for many people, these books are therefore a formidable opponent. I have only one response to this: don't let it bother you.
Gardens of the Moon is not difficult in the sense that the language used is complex. It's also not difficult due to complicated theories (as in the case of Neal Stephenson).
Yes, there are many characters, but that's the case in many (fantasy) series. And, this is actually the crux, Erikson simply starts somewhere in the middle of a history of an empire. At least, that's how it seems. This empire is the Malazan Empire. No background is given, nothing is explained. The prologue just starts, and as a reader, you can only let yourself be carried along in the story that Erikson is telling you. And you must trust that things will become clearer as the story progresses.
If you, as a reader, find this annoying, then this book can indeed be perceived as “difficult.” Difficult to deal with, difficult to understand, and especially difficult to accept.
I have no problem with this at all. Imagine the Roman Empire, which was immense at its peak. It encompassed countless peoples. There were local rulers, generals, intrigues, wars, assassination plots everywhere. All at the same time. Now, just imagine that you are focusing on a specific event in that vast history and span of the Roman empire. Movies and books do this all the time. It helped me a lot translating this attitude towards this book.
From the beginning, Erikson gives you the feeling that you are part of an immense epic story, even if your view of it is still very limited. On one hand, a high-level chess game unfolds where various individuals are moved around the board like pawns; on the other hand, Erikson also shows the human side.
Everything slowly converges as if it were a kind of comedy. Independent storylines intertwine, with coincidences that sometimes seem like a “deus ex machina.”
This might be a point of criticism from my side. If this were a stand-alone book, the author might have taken some shortcuts in certain respects. A deus ex machina plot device has never been my favorite. So, I also trust that some things will be woven into the story as the series progresses.
For me, after the first read, this is a 4 to 4.5-star book.
It's possible that this could increase or decrease as more of the Malazan world becomes clear.
It feels like you're starting the book in the middle of the story. The characters and places are not properly introduced and there is no attempt to make you care about them. They also all sounded the same. Before you kill someone or destroy some city, make us care about them.
The author clearly have a message to transmit, a big world with a meaningful story. He just does not present them in a readable way. The whole thing is a mess of poorly constructed stories, with no cohesion and no reason to be emotionally interested in them.
Annoying features of the book
- Prologue: they can be interesting and might help to set up the mood of the book. I've seen prologues more interesting then the whole book by a wide margin, thus a misleading way to start the story. Then there is the ones that feels like an excuse to tell a bad short tale, one where you don't have to worry about describing your characters, nor to make sense for the reader, because it is assumed that after reading the book you might have a clue about the importance of what just happened. This prologue falls into the second category.
- Excerpts of other books: each chapter starts with a citation of a supposedly famous book inside the fictional world. Another mood setting tool I believe, again this sometimes might work. It did not work for me in this book, they were too long and boring like a history textbook excerpt. Or just a senseless poem.
- Start with a side-story: and if the preface, maps, list of characters, epigraph, lament (whatever that is) wasn't enough to NOT start the story, the first chapter doesn't do it either.
- Lots of thrown in proper names and/or made up words.
Reading other comments, people tend to agree with my opinion. The book starts slow, bad, confusing, the prose is not great, there are problems with his exposition. However despite of that, he gets 5 stars because if you manage to get pass that, you are rewarded with a deep, complex and satisfying story.
My favorite comments:
“The book is not well written; specifically, it is bad prose written by someone who is very intelligent, but lacks an ear for poetry, or in fact, language in general ... the sentences are disjointed in a kind of technical way that often left me rereading them because I had somehow missed the sense in them as I grappled with their structure.”
Ben
“... There's no story to speak of... it is just a collection of scenes and events that occur in the same “world”. None of it makes sense...“
Becky
Read 13% 3:17/26:03
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