Ratings45
Average rating3.5
A 40th anniversary reissue of the national bestselling author's hilarious first novel that memorably mixed food, heartbreak, and revenge into a comic masterpiece—now with a new foreword by Stanley Tucci. • "Touching and funny.... Proof that writing well is the best revenge." —Chicago Tribune Is it possible to write a sidesplitting novel about the breakup of the perfect marriage? If the writer is Nora Ephron, the answer is a resounding yes. In this inspired confection of adultery, revenge, group therapy, and pot roast, the creator of Sleepless in Seattle and When Harry Met Sally... reminds us that comedy depends on anguish as surely as a proper gravy depends on flour and butter. Seven months into her pregnancy, Rachel Samstat discovers that her husband, Mark, is in love with another woman. The fact that the other woman has "a neck as long as an arm and a nose as long as a thumb and you should see her legs" is no consolation. Food sometimes is, though, since Rachel writes cookbooks for a living. And in between trying to win Mark back and loudly wishing him dead, Ephron's irrepressible heroine offers some of her favorite recipes. Heartburn is a sinfully delicious novel, as soul-satisfying as mashed potatoes and as airy as a perfect soufflé.
Reviews with the most likes.
Her weirdly absurd humour is so up my alley.
Also, I thoroughly enjoyed her syntax. But I might have a thing for long sentences. And paragraphs that never end. And sentences that start in “and”.
not really my style of book, gossipy and bitchy, which can be enjoyable depending on the tone.
However, the author has a view on feminism/related topics that i don't agree with, plus she liberally uses the word dy*e throughout and says many shitty things about lesbians. it was two stars until that. not even Meryl Streep can save that.
what a shame.
If you're interested in this book, get the audio version, because Meryl Streep reads it and she's amazing and so funny - her delivery of some lines had me laughing out loud in my car. The story/structure of the book is kind of a mess, with a lot of digressions and flashbacks (which may have been easier to follow in written form, but I don't know). What Ephron really excels at is creating a strong voice for her main character, who essentially narrates the whole thing in one long stream of consciousness. I probably wouldn't have read this if not for the BookRiot challenge, but I definitely enjoyed it.
(Bookriot Read Harder 2016 Challenge: #8 Read a book originally published in the decade you were born)