Klone's Stronghold

This originally appeared at The Irresponsible Reader along with a Q&A with the author about the book.

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What’s Klone’s Stronghold About?

A year ago, Reeni escaped her abusive marriage—her ex-husband has turned into a stalker, he’s apparently a man of some status in the community and was able to get her fired from her job as a Special Ed teacher and Reeni’s on the verge of having to move a long way away just to find a new position. To add insult to injury, her family keeps trying to get her to reconcile with her ex.

Two dear friends convince her to attend a music festival with them—they love this band (she enjoys them, but isn’t going to be following them around like Deadheads). It’s a few days away from home, there’s no way that Karl is going to show up here. She needs some time in safety and peace to think about life. And if she happens to have a little fun? All the better.

Of course, it doesn’t work out. Karl shows up with some friends (or henchmen, your call). The band’s security takes care of them while Reeni finds a safe place to hide out. Before Karl had arrived, Reeni had struck up a friendship (or the beginning of one) with one of the security team—a supernatural of some kind. He comes to her with a proposal—he knows a guy who is working with a small group of supernatural people who are socially and educationally delayed, and are in need of a teacher to work on both areas. Due to the nature of their work and abilities, Karl won’t be able to approach her there; and she’ll get paid a very tidy sum if she commits for a few months in this out-of-the-way spot in the Eastern Oregon mountains.

Intrigued by the job—and desperate to get refuge—she agrees.

Because I’m struggling to finish this section, I’m just going to borrow from the official Description:

But things are not as they seem at the Stronghold, from the older proprietors of a nearby store and the Stronghold’s leader Alexander Reed Klone, to Reeni herself. She discovers it’s not just Karl who seeks to control who and what she is, but forces from her past that threaten her present. Can she learn the truth about herself and do what is needed in time to defend the Stronghold?

The Cozy That Could’ve Been

Sure, when Reynolds-Ward wrote this, cozy fantasy wasn’t really a thing (I’m sure it existed, but it was so far under the radar…), so it might not have crossed her mind to do this, but…

If she had abandoned the last 46% or so of the book and had just stuck with Reeni’s work in the classroom for a few months, letting us watch the progress she makes with her charges? I’d have been utterly charmed with it and would’ve likely enjoyed the novel more.

I’m not actually criticizing the last 46% of the book (most of it, anyway)—this is just a rabbit trail of a thought I had while reading this. That 46% results in a perfectly satisfying that I’m recommending, I’m just saying.

Now to try to turn this from an inadvertent criticism to something positive. I was interested in Reeni and her story and I was enjoying trying to figure out what was going on. But it was the moment that Reeni first started working with her students, connecting with them in a way that her employer didn’t see was possible that I got invested in this novel. I started caring about Reeni and her students then. Yes, the rest of the book was exciting, had magic flying about, secrets were revealed, and Big Things happened, etc. But the whole time, the back of my mind was asking—but what about the next week of lessons? When do we get back to that?

So, what did I think about Klone’s Stronghold?

I really could’ve focused on so many things here, Klone’s Stronghold is a target-rich environment for someone looking for things to write about. There’s Reeni’s attempts to escape her bad marriage, and worse husband. There’s her family’s reactions to her divorce (it’s eventually explained, but it makes it worse). There’s a twisting of religion. There’s something to explore with her great friends—new and old. You could go on and on about the supernatural species (or whatever you want to call them). But for various and sundry reasons I have to move on. Also, this could end up being 40 pages long if I let myself. You want a novel to inspire all kinds of rabbit trails for you to follow while reading? Look no further.

There are a couple of moments in the latter half of the book that I’m not sure we needed. Or at least we didn’t need all that Reynolds-Ward gave us. It’s tricky to talk about without spoiling—but it’s in the parts where Reeni is helped to understand what she learns about her background and family. Most of this section is really well done—and it’s all interesting. But parts of this take up a whole lot more space than I think they needed to—it dragged the story down, and didn’t illuminate much. With some trimming I wouldn’t have said anything at all.

Other than that, I found the pacing really well done—there’s a lot that Reeni goes through here—and the rate at which she experienced it and had to figure out how to deal with all she goes through was really well done—not just for Reeni, but for the reader.

There are so many scenes that make you stop and bask in them. Reynolds-Ward puts you in this world, and even when you’re trying to figure out exactly what’s happening because (for example) you haven’t worked out all the various kinds of supernatural beings there are—you can see and understand enough that it doesn’t matter.

I know that this wasn’t intended to be a series (or at least it didn’t become one)—and I don’t want to complain about a stand-alone (phew! Plotlines I don’t have to remember for books on end! I’m not signing up for a multi-year commitment!). But boy howdy, do I wish I could spend more time in this world. The general store (or whatever it should be called) and its owners along with the Stronghold and those that live there have all the makings of a setting you want to return to—even the band would be great to spend more time with.

That said, this was a very satisfying story that absolutely doesn’t end anywhere near where you think it will after the first couple of chapters. (which, incidentally makes it really hard to talk about).

I recommend this for people who want a very atypical fantasy (that brushes against SF, but not really) in a contemporary setting. Readers of Bledsoe’s Tufa novels might resonate with this. It’s a nice breath of fresh air. This is my first novel by Reynolds-Ward, but it won’t be my last (I’ve already got the next one picked out…and probably the one after that, too).