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Set in a foreboding Gothic mansion and infused with the heightened paranoia and creeping horror of novels like Catherine House and Crimson Peak, a spine-chilling debut historical thriller from a fresh voice in the genre that will leave you questioning who, or what, you can trust . . . including your own sanity.
England, 1840. Orabella Mumthrope spies an unexpected visitor in her uncle’s parlor. Scruffy in appearance yet claiming to be the scion of a fabulously wealthy family, Elias Blakersby declares a deep desire to make Orabella his wife. The orphaned daughter of a white man and a Black woman—an outsider with no fortune or connections—Orabella never expected to marry. But her uncle has many debts, and Orabella, curious about the seeming devotion Elias bestows upon her, agrees.
The new bride is quickly whisked away to Korringhill Manor, the Blakersby family estate, and far from everything she knows. Expecting splendor, Orabella is shocked to find decay, skittish servants, and curt elders. But her kind new husband’s loving touch, promises of a happy life together, and his assurances she’ll never want for anything soothe her concerns.
Yet there is a darkness deep within this house. Rooms are locked or hidden away, and the walls seem to thrum with secrets. Orabella can never venture outside unattended; she spends her days having tea with a catatonic sister-in-law and evenings at Elias’s side, dutifully hosting lavish dinners. The darkness soon begins to engulf her, too. Becoming dizzy and drowsy after dinner, she falls into a fitful sleep filled with macabre dreams, and is awakened by blood-curdling screams in the night. In the morning she rises from her bed covered in mysterious bruises. Confused and terrified, she begins to question where her dreams end and reality begins. The longer Orabella stays in this place, the more she loses parts of herself . . . how long until she no longer exists?
Midnight Rooms is a sweeping saga with supernatural undertones set in Victorian England. Vibrating with tension, richly atmospheric—haunted by ghosts, guilt, and familial bonds—it is an electrifying story that will linger in your dreams.
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This is a hard book to rate. Much of the prose is lovely and evocative, and early on I was very invested in Orabella's life, hoping she would find safety and happiness despite everything. That said, the middle part of the story was difficult to parse and felt incredibly repetitive. I can handle ambiguity and chaos in narration so long as enough things keep happening to hold my interest, but that wasn't really the case here.
The prose was pretty and promising enough that I will check out the author's future works, but this particular book just did not land for me.
I received a free copy of this book from NetGalley in exchange for an honest review.