Moonlighting: An Oral History

This originally appeared at The Irresponsible Reader.
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WHY DID I WANT TO READ MOONLIGHTING: AN ORAL HISTORY?
Over on Twitter last month, Grab This Book said something about requesting a book about Moonlighting on NetGalley, and the next thing I knew, I was on the site doing the same thing. It was a reflex, since I was twelve I wanted to know everything I could about David Addison, Agnes DiPesto, Maddie Hayes, Herbert Viola—everyone at the Blue Moon Detective Agency, their clients and adversaries. I watched first-run episodes, reruns, syndicated episodes (when it was possible to find them)—the only reason that I haven't watched the whole series on DVD multiple times is that they're hard to find—and prohibitively expensive when you do. In short, I was a huge fan of the series, and the idea of a book devoted to it was something I had to get my hands on.* But after I get this posted, I'm going to re-watch the first 3 seasons, I assure you.WHO IS THE TARGET AUDIENCE FOR MOONLIGHTING: AN ORAL HISTORY?People who have watched some/all of the ABC series that aired from 1985 to 1989. Well, not just watched but enjoyed the show. This isn't going to work for you unless you have at least some familiarity with the show.And the number of people familiar with the show isn't that large and isn't growing. Unlike so many things from that era, you can't watch it on syndicated re-runs or a streaming service—and then there are the aforementioned issues with the DVDs.But if you're part of that group? This book is definitely for you.WHAT DOES THE ORAL HISTORY COVER? There are discussions of each season, with chapters that focus on particular episodes as well—big ones, like the pilot, the black and white episode, the Shakespeare episode, the Christmas episode, and so on***. There are discussions about some of the guest stars and specific behind-the-scenes personnel.

* “The Dream Sequence Always Rings Twice”
** “Atomic Shakespeare”
* “Twas the Episode Before Christmas”
* like “The Son Also Rises”, “Big Man on Mulberry Street”, “I Am Curious... Maddie”

Aside from episodes/seasons, the focus is on the writers, creator, and primary stars—Cybil Shepherd, Allyce Beasley, Curtis Armstrong, and Bruce Willis. The first three appear in the book, but despite trying, Willis and the author couldn't work out the timing.

It's not all glowing and positive, there are real criticisms of the writing, plots, and characterizations—as well as how some scenes came out in the end. Some of the criticism is due to this being a show that's very much a product of its time, doing things that wouldn't make it to air today. There are frank and honest discussions about the behind-the-scenes drama and conflicts. But it's all given from a place of love/admiration for the show, there are no cheap shots in these pages.

That said, on the whole, this is a very positive book—it's written by a long-time fan (which is obvious), with interviews from the people most involved in the show's production, most of whom have very positive memories and associations with the show. These people poured proverbial blood, sweat, and tears into Moonlighting and it shows in the way they talk about it.

SO, WHAT DID I THINK ABOUT MOONLIGHTING: AN ORAL HISTORY?
This post was difficult to write, as you can see from that first paragraph, I can fanboy over this series with little provocation. I have 9 pages of single-spaced notes from this book. And restraining myself from using every note in this post was difficult. If I was reading this post-publication and could quote from it? I'd probably be unable to finish this post for a month because I'd be struggling to find the best 3-4 parts to quote.

When I read a book about a television show, I want a few things—I want something to

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  • make me want to rewatch the show
  
  
  • make me not really need to, because the book has helped me remember it in such a way that it's not that necessary
  
  
  • give me a lot of behind-the-scenes information about the show
  
  
  • help me understand it better (not just information, but reflections on it—its legacy, cultural context, impact on television, et.)
  
  
  • Ideally, teach me something about the art and/or business of television (preferably both)
  
  
  • and if it can be fun (TV should be entertaining), that's all the better.
  
  
  
  

Moonlighting: An Oral History

Disclaimer: I received this eARC from Black Château via NetGalley in exchange for this post—thanks to both for this.