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“The imperishable mystery of the masque, attractive and repulsive at the same time, demonstrates the techniques and the key images—and, above all, the imperious need—according to which certain individuals, on appointed days, contrive to make themselves up, to disguise themselves, to change their identity and to cease to be that which they are: in a word, to escape themselves.
“What instincts, what appetites, what hopes, what lusts, what maladies of the soul underlie the gaudily coloured cardboard of false chins and false noses, the horsehair of false beards, the shimmering satin of black masks, the white cloth of hooded cloaks? What intoxication of hashish or morphine, what loss of self, what equivocal and evil adventure, precipitates that lamentable and grotesque procession of dominos and penitents on the days when masked balls are held?”
Decadent writers, such as Jean Lorrain, describe strange and obscure thoughts and feelings that I thought only I had.
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