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Average rating3.3
Tracing paper's evolution from antiquity to the present, the bestselling author of Cod and Salt challenges common assumptions about technology's influence, affirming that paper is here to stay. Paper will be the commodity history that guides us forward and illuminates our times.
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By now the folks who follow me here likely know that I have a love for Mark Kurlansky's approach to writing about history - tracing a single object's impact on the world - as he did with “Salt” and “Milk”. In this book, the author turns his attention away from edibles and toward a seemingly more mundane subject - the history of paper! I suspected there would be some interesting historical tidbits about this fibrous stuff, but in this work Kurlansky explains that it's not the paper itself that is the focus of the examination, but the various methods of communication that humanity has employed through the use of the stuff. From writing on hides, to parchment and velum, to handcrafted art paper, to more modern printing, and even Japanese nori (seaweed paper)... Kurlansky weaves a story. I particularly liked the argument that he repeatedly makes about technology not changing society - but that technology is developed in response to changing societies. “Paper” is another fascinating trip through time, and while it may not be quite as engaging as the aforementioned books on Salt or Milk, it still holds a lot of interesting moments.
This originally appeared at The Irresponsible Reader as part of a quick takes post to catch up–emphasizing pithiness, not thoroughness.
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This vacillated between intensely interesting and stultifyling dull, overly detailed, and seemingly random in focus, provocative and insulting. More than once I wondered about the connection between paper and whatever particular period of history he wanted to sound off on—the connection was usually there and clear (and germane), but he stretched it more than once. Also, Kurlansky seems to have a real chip on his shoulder regarding religions of many stripes. That's fine, it's just not all that germane.
I'm not sure audio was the right for this medium, outside of the irony. There was just so much thrown at the listener, I can't imagine how anyone could retain any details—I didn't even try.
None of my problems were with Garman's narration (although I questioned a few of his pronunciation), it was simply the text.