Pet Sematary

I’ve had kind of a mixed bag of experiences with King so far, having only really read shorter stuff like The Mist, and Secret Window, Secret Garden and not really loving either. But then I saw the narrator was Michael C. Hall, and I had to grab it. It helps that the other members of Fear For All love his stuff too.

First off, I thought this was fantastic. Reading something finally full length from King really allowed for the story to open up. Both growing in creepiness, and heightening those emotional touch points. Of course, it might just help that I decided to read one that is considered up there with his best, but still.

The copy I got from Audible included an introduction from the author, he spoke about how he thought this was his darkest novel, perhaps even too dark that it shouldn’t have been published. He also spoke about the origin of the spelling of Pet Sematary, its inclusion in the novel, and eventual taking over as the title. That kind of inclusion and connection really heightened my enjoyment heading into the story.

Louis accepts a new job, moving his family into the rural town of Ludlow, Maine. Their new house seems too good to be true, their neighbor Jud already showing them hospitality. But even from the earliest pages of the novel, theirs a dangerous undertone. Let alone when they get shown the cemetery behind their property where all the town’s beloved pets have been buried…I personally have pets, and although the thought of having them nearby is endearing, this is still just so creepy.

But when the road finally claims another victim, this time Louis’ daughter’s beloved cat Church, Jud tells him to wait for his call and that they’d handle it. And when Church shows back up, after being buried no less, Louis does his best to rationalize the appearance, but underneath it all, he knows better. The general creepiness of this, as well as the behavioral problems that follow with Church, should have been a clear indication of how far this novel would go, but I wasn’t ready.

The loss of a child, is often something that writers avoid like the plague, especially in horror I feel. So for King to go so far into this, so deep, especially given the year when this released originally, is a testament to him. And yeah…this really is super super dark. For me, the imagining of if it didn’t happen, and where his life could have gone, was even sadder to read than the death itself.

It does kind of feel like I’ve managed to live under a rock, as I’ve not had any of this really ruined for me, and I’ve never seen any screen adaptation so far. With the mixed bag that has come from his wide filmography, I think maybe I had started to link that directly to him, even though they are adaptations of his works? This was so eerie and riveting. It brought to mind that building dread that I loved in Nat Cassidy’s Nestlings, that ability to show that building in different ways between husband, wife, and daughter.

Michael C. Hall did such a fantastic job. I would like him to take over narrating my life now. The voices were great, the novel had life, and this once again brought to mind just how much we are missing that he has not narrated the Dexter series.