Sinners welcome
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Mary Karr describes herself as a black-belt sinner, and this -- her fourth collection of poems --traces her improbable journey from the inferno of a tormented childhood into a resolutely irreverent Catholicism. Not since Saint Augustine wrote "Give me chastity, Lord -- but not yet!" has anyone brought such smart-assed hilarity to a conversion story.Karr's battle is grounded in common loss (a bitter romance, friends' deaths, a teenage son's leaving home) as well as in elegies for a complicated mother. The poems disarm with the arresting humor familiar to readers of her memoirs, The Liars' Club and Cherry. An illuminating cycle of spiritual poems have roots in Karr's eight-month tutelage in Jesuit prayer practice, and as an afterword, her celebrated essay on faith weaves the tale of how the language of poetry, which relieved her suffering so young, eventually became the language of prayer. Those of us who fret that poetry denies consolation will find clear-eyed joy in this collection.
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Two memoirs. One poetry book. One writing book. Yes, it was a Mary Karr week.
My Mary Karr reading frenzy all started quite innocently. I took a writing class last summer at Inprint in Houston. Our teacher told us Mary Karr was coming to Houston in September. I spontaneously decided to buy a ticket, vaguely remembering that I'd read her first memoir, Liar's Club, back twenty years ago or so. When the date of Karr's reading approached, I was exhausted by all the beginning-of-the-year stuff we teachers experience but I remembered a book was included in the price of the reading, and I didn't want to miss out on picking up that book. So I reluctantly decided to go. When I googled the address of the reading, I was surprised to see that it was being held in a church. Must not have been able to book the Wortham for that night, I thought.
I was wrong. It was no accident that Mary Karr was at Christ Church Cathedral, an Episcopal Church in downtown Houston, built in 1839; all her readings were being held in churches.
I was intrigued. An author in a church. Imagine that.
Mary Karr was fascinating. “I was a strange child,” she told her audience at the reading. “I was not a happy child. But there was something about reading memoirs that made me feel less lonely.” Karr shared her new book, The Art of Memoir, and suggested that through our stories we manufacture a self. “Writing a memoir is like knocking yourself out with your own fist,” she told us.
All her books, Karr explained, could be summed up: “I am sad. The end.”
In her life, Karr survived her alcoholic and dysfunctional parents to become an alcoholic and dysfunctional parent herself. And somehow she broke free of all that, mysteriously embracing both writing and the Catholic Church.
Mary Karr is a little older, a little less functional Texas-rooted me. Like me, she has both the redneck-storytelling people and the salvation-through-reading people in her family tree.
That was enough. I raced home from the reading and put everything I could find of Mary Karr's on hold at the library. I was amazed to find that not only were all three of her memoirs at the library, but that I could also check out and read one of her books of poetry.
I'll just tell you that her books are mostly “I am sad.” But, happily, there is a little more there before “The end.”
Beautiful writing. Sad stories. And redemption. Mary Karr.
