Ratings43
Average rating3.6
The book explores one of Vonnegut's favorite recurring themes, which is his belief in our need to belong extended families and how they would be an adequate, larger and more useful substitute for biological ones.
The most endearing section of the novel, in my opinion, lies in its introduction, where Vonnegut candidly describes his beloved sister's death, which took place shortly after she had learnt of a train accident where her husband and children had been killed.
As for the novel's plot, it follows the relationship of a boy and his sister who grow up together in isolation from the outside world because of their unsightliness. The boy turns out to be seen as more presentable and is separated from his sister, who grows to resent him for his seemingly desertion. Through some twists and turns they successively reunite and separate and after a major catastrophe, the boy becomes president of the United States, his campaign being centered on the formation of extended families on a grand scale.
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There were a few funny and interesting parts, but overall I think the plot was kind of a mess.
One sentence synopsis... Presented as the autobiography of Wilbur Daffodil-11 Swain, the King of Manhattan, this novel is ostensibly about the absurdity of loneliness and the subversive power of institutionalized “family” - “Lonesome No More!” .
Read it if you like... if you're a Vonnegut completionist, otherwise spare yourself. .
Dream casting... the main characters are described as twin geniuses, both born ugly and extremely tall. They were played by Jerry Lewis and Madeline Kahn in the 1984 adaptation of this novel. I wouldn't wish this role on anyone.