Story Genius

There were things I liked about this book and found helpful, and things I definitely didn't like.

Of the good, Story Genius pushed me to dig deeper into my characters in pre-writing than I usually do, and I found the exercise to be pretty helpful for brainstorming before I dive back into my partially-written WIP. It helped me generate some new ideas and make some connections where things were previously fuzzy.

That said, this book was very prescriptivist in a way I didn't appreciate. I'm always very leery of writing advice that claims a “my way or the highway” approach, and it was very critical of pantsers in a way that—even though I'm not a pantser—irked me. Much of the advice was wrapped in “you must do this or you will fail” type pressure which was not only unnecessary but obviously not true. No one writing technique works for everyone.

It also uncritically quoted Joyce Carol Oats (insert eyeroll emoji) and ended with a weird send off that claimed Harper Lee was hugely influential in the success of the civil rights movement with To Kill a Mockingbird? It was an odd, white savior-y way to end a book that was entirely unnecessary and left me frowning at the final pages.

So overall, this was okay. I'd say if you read it, only do so if you're able to ignore the prescriptivist pressure. There's some useful stuff in here, but it's not a book I'm going to recommend without caveats.

The content about developing a character-driven story is good and interesting. The “brain science” is a barely-there gimmick. The author's quippy writing and lengthy case study of her friend's inane dognapping novel get old very quickly. A mixed bag to be taken with a pinch of salt, like all writing books.