Telegraph Avenue
Ratings17
Average rating3.6
The new novel from Michael Chabon, his first in 5 years, is a lovingly painted pop-culture epic. One street, two families. As the summer of 2004 draws to a close, Archy Stallings and Nat Jaffe are still hanging in there, longtime friends, band mates and co-regents of Brokeland Records. Their wives, Gwen Shanks and Aviva Roth-Jaffe, are the Berkeley Birth Partners, a pair of semi-legendary nurse midwives. When ex-NFL quarterback Gibson Goode announces plans to go forward with the construction of his latest Dogpile megastore on Telegraph Avenue, Nat and Archy fear the worst for their vulnerable little enterprise. But behind Goode's announcement a nefarious story lurks. As their husbands struggle to mount a defence, Aviva and Gwen also find themselves caught up in a professional struggle that tests the limits of their friendship. And simultaneously, into their already tangled lives, comes Titus Joyner, the teenaged son Archy has never acknowledged. An intimate epic set to the funky beat of classic vinyl soul-jazz and pulsing with a virtuosic, pyrotechnical style all of its own, Telegraph Avenue is Michael Chabon's most dazzling book yet.
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Some parts are overwritten and underdeveloped. (And I'm not sure the end entirely works.) But, atmosphere wise, there are big sections of this novel that I loved, making it feel like a great place I could live in for a little while at a time.
The most common accusations against this book are: 1. It's too wordy; 2. It's racist.
Yes, it is wordy. It's a Michael Chabon book, so there's no chance that it will NOT be wordy. However, I like words, and he uses enough active verbs to keep me interested.
“It's racist” - hmmm. I don't know that I agree. Books that paint any ethnicity as flawless are boring and hollow and false, and I have little patience for them. Having characters that are complicated, that are nice people but who not infrequently do stupid or annoying or self-centered things, well it rings true. I think that the negativity comes from the fact that the author is white, and that most of the characters are black, and so readers feel like he is being disrespectful to the black community when he creates flaws in his black characters; if Chabon was black not one person would call this book racist.
This was a fantastic book, so much fun to read. I picked it up at the library only because of the title. I have memories of walking down Telegraph Ave. in Berkeley with my parents in the early 1970's and what a wild place it was, even though I was just a little kid. So, I didn't know what the book was about, but the title was evocative for me and I liked the ornate orange and blue cover.
The two main characters, Archy Stallings and Nat Jaffe, own a used record store that specializes in jazz and have been close friends for many years. The future of the record store and their friendship is called into question when a wealthy former football player announces his plan to open a media superstore a block away in their economically depressed neighborhood.
Alongside that major source of conflict, Gwen and Aviva, married to Archy and Nat respectively, work together as midwives and are also close friends. As the book opens, Gwen and Aviva are attending a home birth that goes wrong and then get into a conflict with the doctor who takes over their patient's care when they take her to the hospital.
SO much more happens in the book after all of this is introduced. You will be in the company of delightful characters who struggle with father/son relationships, sexuality, marriage, neighborhood politics, issues of gentrification, relations between whites and blacks, among other topics. Several of these people have encyclopedic knowledge of music, especially jazz. A couple of them are movie buffs, and in particular are fans of blaxploitation films. Barack Obama makes a guest appearance. I really loved this book and I think you should read it.
