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Frequently imitated and widely influential, Howard Phillips Lovecraft reinvented the horror genre in the twentieth century, discarding ghosts and witches and envisioning instead mankind as a tiny outpost of dwindling sanity in a chaotic and malevolent universe.
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Marked as Did Not Finish
I picked three short stories by HP Lovecraft to read in book club this week, so I took those ebook out from the library thinking I would start with at least those stories and read maybe more.
I made it through The Shadow Over Innsmouth and The Call of Cthulhu, and I started The Dunwich Horror, but early into that one I gave up.
I feel similar about reading this as I do with something like Tolkien. I respect the influence of the work and I think the broad stories/worlds and some specific moments are great, but I just can't get into the writing.
This is all aside from Lovecraft himself being a garbage person that certainly comes through in at least the casual racism throughout these stories, though I actually found it interesting to think about whether certain tropes that are prevalent throughout horror (fear of the other/the unknown being the big one) is inherently racist, or if just combining that with this writer makes it feel worse (though there often is clear racist terminology used in the writing, though not always directed at the monsters).
Anyways, glad I tried this out even if it's not for me.
Series
2 primary booksLovecraft Penguin Classics' Omnibus is a 2-book series with 2 primary works first released in 1926 with contributions by H.P. Lovecraft, S.T. Joshi, and Travis Louie.