The Good Earth

Once upon a time, many if not most people lived a predominantly agrarian lifestyle. You were born on a farm, you lived on a farm, you died on a farm, and while you were alive you ate the food you grew. Money for things you couldn't grow came from selling the things that did. And then the Industrial Revolution happened, and cities boomed, and no matter how much presidential candidates like to say the opposite when they're spending time in Iowa at the beginning of the campaign cycle, the era of the small family farm is effectively over and it's never coming back. That's not to say that no one in America lives on a family farm anymore, obviously, but the numbers are small and declining every year.

Besides Iowa, why is it that we romanticize those days so much? For my money, there's a very profound appeal of a time when it seemed like life was so much simpler, when you worked with your hands to get what you needed. Especially in this day and age, where I'm sitting at a desk typing this into a computer, but the sentimental attachment to that time seems to have been around for quite a while, because when Pearl Buck won the 1932 Pulitzer Prize for her novel The Good Earth, the Dust Bowl hadn't even happened yet.

The Good Earth takes place in China in the early 1900s, and tells the story of the rise and subsequent decline of Wang Lung. A peasant farmer, the book opens with his marriage to O-Lan, a former slave for the Hwang family (the wealthiest landowners in the town close to where Wang Lung lives). O-Lan is not beautiful or clever, but she's just as hard of a worker as Wang Lung himself, and together the two of them manage to run his farm well enough that they are able to buy some of the Hwang's lands. They have two sons, but just after their first daughter is born, a terrible famine strikes. When there is no longer anything to eat and the countryside is turning to cannibalism to survive, the family sells most of their possessions (but Wang Lung refuses to sell their land) and moves south to survive through cheap labor and begging in the city. When a peasant uprising happens, Wang Lung and O-Lan grab money and jewels and return north. Having learned a powerful lesson about having reserves, the family buys the rest of the Hwang land and farms diligently, to the point where Wang Lung is wealthy and can send his children to school instead of keeping them in the fields. Indeed, soon Wang Lung himself doesn't need to be in the fields, and that's when the problems start.

The book is not subtle about its equation of land and manual labor with virtue...the farther removed Wang Lung and his family get from the labor of their own hands on the earth they own, the farther they morally decline. Wang Lung becomes infatuated with a spoiled young prostitute and buys her for a concubine, putting aside his faithful wife. His school-educated sons marry petty women and have no interest in farming or running their father's holdings...like the once-wealthy and powerful Hwangs in the beginning, they just want to get rid of the land and seeking their fortunes elsewhere. It's actually pretty socialist in its depiction of money as evil and corrupting and the glorification of the proletariat lifestyle.

At the end of the day, I just didn't like it very much. The characters aren't people, they're symbols who are used to illustrate Buck's parable. And they're not even particularly compelling symbols: Wang Lung is never all that sympathetic, O-Lan is a doormat, the sketchy uncle and his wife are terrible and gross right from the start. If reading all that Joseph Campbell recently taught me anything, it's that symbols done right can be incredibly powerful (for instance, Francis Ford Coppola's The Godfather, and I'm specifically referring here to the great film rather than the mediocre book, tells a similar story about a man who becomes what he once despised in a much more interesting and emotionally resonant way). Not so here for me. The writing is solid, but not anything special enough to drive interest in the lack of a good story and characters. This particular piece of classic literature (which is a genre I've been exploring over the past few years) doesn't do it for me.

If I had to pick one book that has influenced my life more than any other, one book that touched my heart more than any other, one book that was the best novel I've ever read...I'd probably pick The Good Earth.

I first read this book when I was twelve. My mom suggested it and found a copy for me to read.

“Then Wang Lung turned to the woman and looked at her for the first time. She had a square, honest face, a short, broad nose with large black nostrils, and her mouth was wide as a gash in her face. Her eyes were small and of a dull black in color, and were filled with some sadness that was not clearly expressed. It was a face that seemed habitually silent and unspeaking, as though it could not speak if it would. She bore patiently Wang Lung's look, without embarrassment or response, simply waiting until he had seen her. He saw that it was true there was not beauty of any kind in her face—a brown, common, patient face. But there were no pock-marks on her dark skin, nor was her lip split. In her ears he saw his rings hanging, the gold-washed rings he had bought, and on her hands were the rings he had given her. He turned away with secret exultation. Well, he had his woman!”

O-lan's story was shocking to me. A woman who is hardworking and self-sacrificing to the extreme, and yet O-lan is always at the bottom, always the last to receive even the smallest of acknowledgments for anything she does. And the suffering O-lan experiences. It's heartbreaking. And it reminds me to appreciate the wonderful things in my own life that O-lan never got to enjoy.

The development of Wang Lung's character is slow but poignant, too.

“And out of his heaviness there stood out strangely but one clear thought and it was a pain to him, and it was this, that he wished he had not taken the two pearls from O-lan that day when she was washing his clothes at the pool, and he would never bear to see Lotus put them in her ears again.”

Watching the sons of O-lan and Wang Lung change as the family acquired wealth...it was a cautionary tale. Inevitable, I think.

Such an amazing book.

The language is all very “time driven”... appropriate (if can call it that) for the period in time that it was written. But not appropriate, even offensive, for today.

I knew this book only by title, and that it was considered a classic. I didn't realize until I started the book that it was a book about Chinese people, so that was a surprise to me. I also think that there might be more books in this series, so I will have to look for those.

The story itself was very good. It seems rather “distant”, disconnected, factual, non-emotional, but you end up feeling for the characters of the book. You become invested in them, in a way you that you won't think you will, the way the story is being told.