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The Last Gods of Indochine draws on the real and imagined history of Cambodia, focusing on the mysterious temple complex of Angkor Wat and alternating between two streams of time. Ferrer imagines the granddaughter of a real-life Victorian explorer who goes on her own journey of discovery in 1921, becoming strangely intertwined with a boy from centuries earlier who is caught up in religious and political turmoil. There were some especially strong passages about mystical experiences that convincingly got into the mindset of an earlier age, but an unnecessary and non-historically-based love interest, and an abrupt “hooray for science!” ending somewhat marred for me what otherwise was a very interesting trip into the past.
