Ratings4
Average rating3.3
In search of a place to call home, thousands of Hmong families made the journey from the war-torn jungles of Laos to the overcrowded refugee camps of Thailand and onward to America. But lacking a written language of their own, the Hmong experience has been primarily recorded by others. Driven to tell her family’s story after her grandmother’s death, The Latehomecomer is Kao Kalia Yang’s tribute to the remarkable woman whose spirit held them all together. It is also an eloquent, firsthand account of a people who have worked hard to make their voices heard.
Beginning in the 1970s, as the Hmong were being massacred for their collaboration with the United States during the Vietnam War, Yang recounts the harrowing story of her family’s captivity, the daring rescue undertaken by her father and uncles, and their narrow escape into Thailand where Yang was born in the Ban Vinai Refugee Camp.
When she was six years old, Yang’s family immigrated to America, and she evocatively captures the challenges of adapting to a new place and a new language. Through her words, the dreams, wisdom, and traditions passed down from her grandmother and shared by an entire community have finally found a voice.
Reviews with the most likes.
I'm bowled over by the beauty of this memoir. Kao Kalia Yang writes the history of her family with such simplicity, but it's a story of hardship and endurance at least as much as a story of family love. These two sentences, from near the end of the book, bring to bear much of the emotional weight of the story: “My grandmother's death (in 2003) was the first natural death in our family since 1975. It was the outcome we had been struggling so long for: a chance to die naturally, of old age, after a full life.” Tales of genocide in Laos and overcrowding in the refugee camp in Thailand to grinding poverty in the United States are stark, but they are told with such love for the people in them, even people the author knew only through the stories heard from others, that they shine.
I didn't finish this. Similarly to The Road of Lost Innocence, I recognize that this is a good story. However, it was monotone and even and bereft of personality. If I cannot connect to the speaker as a person and not as words on a page, it is difficult for me to connect with the story. If nothing else, the book introduced me to the Hmong people and their strife during the late 1970s and 1980s in Laos.