Ratings58
Average rating4.3
I love how this book deals with life in the outback. Unflinchingly, and accurately. While the undercurrent is quite familiar to me, professionally and personally, it still leaves me speechless when it is written so well.
Wow! Dare I say this is her best yet? As in The Dry, Jane Harper is so good at conveying that stifling, oppressive feel of the Australian outback. The mystery kept me guessing throughout the novel, I was so sure I knew what happened, only to change my mind again and again. I couldn't put it down.
I could not put this book down! Jane Harper's description of the outback made me feel as if I was there and the mystery kept me engaged.
Another great book by Jane Harper. I enjoyed The Dry and Force of Nature, so I definitely wanted to read this one. I found this book to be a page-turner with interesting family dynamics and a mystery that kept me wondering until the end.
Such a beautiful book. It felt very much like an enthralling experience. The suspense was gorgeous, and the characters were all perfectly flawed.
The author took a well-loved figure and crafted the story in a manner in which all the characters began questioning and revealing different facets to him.
The protagonist, himself, was an intensely disliked man with a stain on his reputation, yet the author weaves a tale not of his redemption, but one that shows us what it is to be human, flaws and all.
Every character in this book has something more to him/her, and it beautifully visualises how complex the whole lot of us are.
The ending left much to be desired, but the rest of the book more than makes up for it. It wasn't that the ending was unbelievable, it was more so that it was very much anticlimactic and it just called for something more.
J'ai dévoré ce livre : l'écriture est fluide et l'intrigue prenante. Je me suis sentie transportée dans ce monde de poussières et chaleur où l'entraide prend une toute autre dimension. Une humanité vibrante.
Juste dérangée par ce happy ending qui ne pose de soucis à personne et par le rôle que Nathan endosse à la fin (amant, père, fils prodige, patron, juge, dieu).
Je suis tentée de lire d'autres histoire sur l'outback australien pour mieux en saisir les contours et les problématiques qui lui sont propres.
I would give this six stars if I could. Every bit as good as The Dry, which I also loved. A true mystery paired with atmospheric descriptions that put you right in the dusty, dry, arid ranch land of Australia, smack in the middle of two generations of troubled family dynamics. Nathan is the POV character who is living alone on the neighboring property, estranged from his son and his community. The nearby ranch is the old family homestead where his brothers Cameron and Bub, Cameron's wife Ilse and two daughters, his mother Liz and his uncle Harry reside. When Cameron is found dead from the heat far from his car and in the shadow of a local legend's grave, everyone is confounded about what happened. It's not until the final pages that Harper gives us the answer, but not before she's skillfully layered in the family's history and the interweavings of long-buried secrets as well as current-day jealousies and resentments. Bravo.
The blurb on Jane Harper's “The Lost Man” says it's suspenseful, dark, and atmospheric. I would add methodically paced, intriguing, and unique. It's equal parts family drama and mystery, where the setting is the Australian outback and desolation is in the hearts and minds of almost everyone for hundreds of kilometers.
Nathan, his son, and his brother Bub arrive at a grave site to find their other brother dead. No foul play is found, and his car is in full working order. How did the brother die? With no police or ambulance within three hours, the family must try and piece together what happened.
The book evokes the loneliness and vastness of the outback in such a beautiful way. Almost all of our time is spent outdoors in the rugged, dirt-filled landscape, but I found the setting unexpectedly refreshing.
// “A perfect sea of nothingness. If someone was looking for oblivion, that was the place to find it.” //
There is an underlying sinister tone that takes quite awhile to present itself. It lights a small bit of kindling in the mind, and it progressively whittles its way into a full-on conflagration towards the end. It's the epitome of a slow burn, but it's an impressive way to build the narrative. For example, the MC is pretty much banned from going into town, so he has been isolated from the world for the past 10 or so years. The only strong bits of interaction are when his son comes to town on vacation to visit. It makes you wonder if anyone in the family is a reliable witness. And the weirdness does not stop there. We have a few squatters that may be questionable, a mysterious painting that nobody can touch, and a police force that is understandably hard to reach when they are needed most.
// “The rules of the outback may seem brutal but they were written in blood.” //
The story has quite a few twists and turns that I didn't see coming, but everything is wrapped up at the end, for better or for worse. I'd say my favorite part is the overall tone. It makes you reflect on your own life and consider what could have been or ponder things you might have done differently. Not in the sense of what the family is going through, just in general.
The book was exciting, and I would recommend it if you are looking for a mystery that is off the beaten path. I'm glad my GR friends brought it to my attention.
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