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"Agnes Hussein, descendant of the last sultan of Singapore and the last surviving member of her immediate family, has grown up among her eccentric relatives in the crumbling Kampong Glam palace, a once-opulent relic given to her family in exchange for handing over Singapore to the British. Now Agnes is seventeen and her family has fallen into genteel poverty, surviving on her grandfather's pension and the meager income they receive from a varied cast of boarders. As outside forces conspire to steal the palace out from under them, Agnes struggles to save her family and finds bravery, love, and loyalty in the most unexpected places. The Moonlight Palace is a coming-of-age tale rich with historical detail and unforgettable characters set against the backdrop of dazzling 1920s Singapore"--Page 4 of cover.
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Agnes Hussein, the protagonist of Liz Rosenberg's The Moonlight Palace, has a non-traditional family, but a loving one all the same. Her parents and brother all died in a flu epidemic, so she lives with her uncle and grandparents in a ramshackle palace in 1920s Singapore. You see, Agnes is the youngest descendant of the former sultan of Singapore, who gave control of the country over to the British and received a tenuously-legal grant of residency in a former royal palace, Kampong Glam, in return. The family is allowed to stay as long as a male of the royal line still lives there, which has created some problems. For one, Agnes's Uncle Chachi, no spring chicken, is the last remaining male of the line and Agnes is only a teenager, so she's not going to be having a baby anytime soon. Second, the family has virtually no income remaining but consider themselves too genteel to work, so the palace is deteriorating around them because they can't afford repairs.
They take on boarders to make ends meet, and their cozy, if perilously held together, little world begins to fall apart when one of those boarders, a young Muslim from Malaysia, is caught trying to carry out a bombing. One of the others, a shy Chinese math student, is caught up along with him and in order to protect him, Agnes induces her grandfather to make a bargain with the charming young British policeman who is investigating the crime. Although the cop and Agnes begin to see each other and she falls hard for him, he's more than she initially thinks he is.
There's more than happens after that, of course, but that should be enough to give you a general idea. The real strength of this book, to me, was the warmth of the family relationships that Rosenberg created. Agnes might have lost her parents, but she didn't lose out on the experience of family love. Their desire to protect her from the worst of the realities they faced, and her desire to help them as much as she could, felt true and sure. On the other hand, for a fairly slim volume, there were probably too many plots going on that were underdeveloped...there are side plots with several different love interests for Agnes, as well as the jobs she takes and the people she works with, that are only ever background noise. A more focused plot might have made for a more successful book, because while this was a pleasant enough read and got me interested enough in the time and place (I don't read a ton of books set in Asia) that I went looking for more information, it's not really more than just average. It's under 200 pages, so if you're interested in a relatively untaxing reading experience to introduce you to a setting you don't usually read about, it's enjoyable enough. But it's not so meritorious that I feel like recommending it without qualification.