Ratings1
Average rating3
"The very model of the modern paranoid novel" (New York Times) and an ambitious work of semi-autobiographical fiction from one of England's greatest novelists. Gilbert Pinfold is a reclusive Catholic novelist suffering from acute inertia. In an attempt to defeat insomnia he has been imbibing an unappetizing cocktail of bromide, chloral, and creme de menthe. He books a passage on the SS Caliban and, as it cruises towards Ceylon, rapidly slips into madness. Almost as soon as the gangplank lifts, Pinfold hears sounds coming out of the ceiling of his cabin: wild jazz bands, barking dogs, and loud revival meetings. He is convinced that an erratic public-address system is letting him hear everything that goes on aboard ship . . . until instead of just sounds he hears voices. And not just any voices. These voices are talking, in the most frighteningly intimate way, about him!
Reviews with the most likes.
I'm not sure if I liked this, but it was interesting. My copy had a transcript (or part) of an interview Waugh did with the BBC in 1960 about why/how he wrote this, and I thought that was interesting. The novel is pretty much what Waugh went through over a three week period, and so that helped me understand some of the book better (and that's why the book ends how it does too). It was still tedious in places and overly long, but it was interesting. I'm not sure if I'd reread it or not.