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Average rating3
"In the pages of The New Yorker, Harper's, the New York Times, and his books Making Hay and The Last Fine Time, Verlyn Klinkenborg has mastered a voice of singular lyricism and precision. His subject is the American landscape: not the landscape admired from a scenic overlook, but one taken in from a rusty chair propped against the worn siding of a screened-in porch, or from the window of a pickup driving down an empty highway into the teeth of an approaching storm. He has a keen appreciation of the peculiarly American tableau - a Memorial Day parade, or a boy riding a bike down the middle of a dusty street. Whether reporting from a small farm in upstate New York, a high pasture deep within the Rocky Mountains, or the bricked edge of a city shuddering in the wake of a "sudden Tuesday," Klinkenborg follows the momentum of the seasons in a language as simple, unsentimental, and exacting as life itself."--BOOK JACKET.
Reviews with the most likes.
Essays about moving and starting over
in the country. I never got deeply
involved in this book; don't know why.